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b. 1945, Australia

Nyapanyapa Yunupiŋu Biography

Nyapanyapa Yunupiŋu is an Australian artist of the Gumatj people of Yirrkala who is recognised for her ground-breaking reinterpretation of traditional practice. Departing from engaging with ancestral narratives, Yunupiŋu creates bark paintings and Larrakitj poles that portray personal stories or, in her later works, are without narratives, the latter of which the artist describes as 'mayilimiriw' or meaningless.

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Nyapanyapa Yunupiŋu began painting with primarily white natural pigments on bark in 2007. Many of her early works are figurative, depicting personal events. In the painting Incident at Mutpi (2008), Yunupiŋu is injured by a water buffalo, while Hunting Stingray at Birany Birany (2008) is an episode of communal activity.

Around 2009, Yunupiŋu shifted away from the representational to create bark paintings and Larrakitj (hollow log) works featuring cross-hatched, circular, and linear marks. These works are characterised by a vertical format, compared to the landscape orientation of her earlier works. Wooden log works such as Mayilimiriw (2010) and Larrakitj (2013), in their detailed surface, also reveal the process of painting.

Yunupiŋu comes from a family of artists. Her father, Muŋgurrawuy Yunupiŋu, was a prominent cultural leader and artist, and her sisters include the painters Gulumbu and Barrupu Yunupiŋu. In a video for the Art Gallery of New South Wales in 2013, Nyapanyapa Yunupiŋu recalled that while her father did not teach her, she learned by watching his hands at work.

The star is another recurring motif in Nyapanyapa Yunupiŋu's work, delineated as energetic bursts of white colour. It first appeared in the paintings included in My Sister's Ceremony—a solo exhibition at Roslyn Oxley9 Gallery, Sydney (2014)—following the passing of her sister Gulumbu in 2012.

In 2011, Buku-Larrnggay Mulka Centre—an Indigenous art centre and printmaking studio in Yirrkala—organised a collaborative project by the Yunupiŋu sisters. The Seven Stars, based on the Djulpan story of seven sisters and their travels, was a collaborative piece for which Nyapanyapa Yunupiŋu made the background imagery in white paint pen.

Nyapanyapa Yunupiŋu has received numerous awards, including the Wandjuk Marika Memorial 3D Award for Incident at Mutpi (1975) in 2008 and the Bark Painting Award in 2017 at the National Aboriginal and Torres Strait Islander Art Awards. Her first solo exhibition was held at Roslyn Oxley9 Gallery, Sydney, in 2008. the moment eternal, a major retrospective of Yunupiŋu's practice, was presented by the Museum and Art Gallery of the Northern Territory, Darwin, in 2020.

Nyapanyapa Yunupiŋu Group Exhibitions include:

20/20: Shared Visions, Artbank, Sydney (2020); AUSTRALIA. ANTIPODEAN STORY, Padiglione d'Arte Contemporanea, Milan (2019); The future is already here—it's just not evenly distributed, 20th Biennale of Sydney (2016); Painting. More Painting, Australian Centre for Contemporary Art, Melbourne (2016); Undisclosed: 2nd National Indigenous Art Triennial, National Gallery of Australia, Canberra (2012); all our relations, 18th Biennale of Sydney (2012).

Sherry Paik | Ocula | 2021

Nyapanyapa Yunupiŋu Featured Artworks

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Djulpan by Nyapanyapa Yunupiŋu contemporary artwork
Nyapanyapa YunupiŋuDjulpan, 2021Collagraph on Hanhemuhle
109 x 72 cm (incl frame)
Roslyn Oxley9 Gallery Contact Gallery
Ganyu by Nyapanyapa Yunupiŋu contemporary artwork
Nyapanyapa YunupiŋuGanyu, 2019Collagraph on Hanhemuhle
97 x 67 cm (incl frame)
Roslyn Oxley9 Gallery Contact Gallery
Ganyu - Stars by Nyapanyapa Yunupiŋu contemporary artwork
Nyapanyapa YunupiŋuGanyu - Stars, 2020Collagraph on Hanhemuhle
62 x 87 cm (incl frame)
Roslyn Oxley9 Gallery Contact Gallery
Djulpan - Seven Sisters by Nyapanyapa Yunupiŋu contemporary artwork
Nyapanyapa YunupiŋuDjulpan - Seven Sisters, 2020Collagraph on Hanhemuhle
62 x 87 cm (incl frame)
Roslyn Oxley9 Gallery Contact Gallery
Ganyu Djulpan by Nyapanyapa Yunupiŋu contemporary artwork
Nyapanyapa YunupiŋuGanyu Djulpan, 2021Natural earth pigments on paper
109 x 72.5 cm (incl frame)
Roslyn Oxley9 Gallery Contact Gallery
Ganyu Djulpan by Nyapanyapa Yunupiŋu contemporary artwork
Nyapanyapa YunupiŋuGanyu Djulpan, 2020Natural earth pigments on paper
109 x 72.5 cm (incl frame)
Roslyn Oxley9 Gallery Contact Gallery
Lines by Nyapanyapa Yunupiŋu contemporary artwork
Nyapanyapa YunupiŋuLines, 2020Natural earth pigments on paper
109 x 72.5 cm (incl frame)
Roslyn Oxley9 Gallery Contact Gallery
Lines by Nyapanyapa Yunupiŋu contemporary artwork
Nyapanyapa YunupiŋuLines, 2020Natural earth pigments on paper
109 x 72.5 cm (incl frame)
Roslyn Oxley9 Gallery Contact Gallery

Nyapanyapa Yunupiŋu Recent Exhibitions

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Contemporary art exhibition, Nyapanyapa Yunupingu, The Little Things at Roslyn Oxley9 Gallery, Sydney
Closed
28 January–27 February 2021 Nyapanyapa Yunupingu The Little Things Roslyn Oxley9 GallerySydney
Contemporary art exhibition, Nyapanyapa Yunupingu, Ganyu at Roslyn Oxley9 Gallery, Sydney
Closed
31 January–16 February 2019 Nyapanyapa Yunupingu Ganyu Roslyn Oxley9 GallerySydney
Contemporary art exhibition, Nyapanyapa Yunupingu, Solo Exhibition at Roslyn Oxley9 Gallery, Sydney
Closed
24 January–19 February 2017 Nyapanyapa Yunupingu Solo Exhibition Roslyn Oxley9 GallerySydney

Nyapanyapa Yunupiŋu Represented By

Nyapanyapa Yunupiŋu In Related Press

'Who’s Afraid of Colour?': 118 Aboriginal women artists at NGV Australia Related Press 'Who’s Afraid of Colour?': 118 Aboriginal women artists at NGV Australia 16 March 2017, Art Radar Journal

The diverse work of Indigenous Australian women artists is celebrated through the thematic framework of the exhibition Who's Afraid of Colour? at the Ian Potter Centre, National Gallery of Victoria (NGV) Australia from 16 December 2016 to 17 April 2017. Its intention is to explore Aboriginal women artists as innovators and transformers of...

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'Marking the Infinite': Exhibition featuring 9 Aboriginal contemporary women artists tours North America Related Press 'Marking the Infinite': Exhibition featuring 9 Aboriginal contemporary women artists tours North America 9 February 2017, Art Radar Journal

Marking the Infinite: Contemporary Women Artists from Aboriginal Australia is a major travelling exhibition featuring artists from remote communities across the continent. The exhibition originated at Newcomb Art Museum, Tulane University in New Orleans in September 2016, beginning a three-year journey across the United States and Canada. The...

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20th Biennale of Sydney Related Press 20th Biennale of Sydney 28 October 2015, e-flux

The 20th Biennale of Sydney, inspired by a quote from author William Gibson, is titled The future is already here—it’s just not evenly distributed. This edition will be presented at venues conceived by Stephanie Rosenthal as “embassies of thought.” An embassy traditionally functions as a state within a state: a host country...

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