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Ocula ReportThe Lowdown: shows to see during Gallery Weekend Beijing16 Mar 2018 : Li Bowen for Ocula{{document.location.href}}
To coincide with the second edition of Gallery Weekend Beijing, taking place between 23 and 30 March 2018, various institutions have brought out the big guns, including a list of international artists from Sarah Morris to Paul McCarthy. Galleries are also gearing up for the weekend, from Liu Wei showing at Long March Space, to Richard Deacon at...
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Ocula ConversationHe XiangyuArtist, China{{document.location.href}}
He Xiangyu's second solo exhibition, Evidence, at White Cube gallery's Bermondsey space in London (7 February–8 April 2018) is somewhat different from the artist's first exhibition with the gallery in 2014 (He Xiangyu: Inside the White Cube, 22 January–13 April 2014). Gone is the crystallised residue of 127 tonnes of Coca-Cola that the artist...
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Ocula ReportSnowed Under: Armory Week 201816 Mar 2018 : Kat Herriman for Ocula{{document.location.href}}
At the opening of the seventh edition of the Spring/Break Art Show (6–12 March 2018), people were already talking about the blizzard. The neon lights glaring through the windows at number 4 Times Square gave the former floors of Condé Nast an atmosphere of urgency. The exhibition platform, which hosts curator-led projects, seemed as guerilla as its...
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Simon Denny’s practice emphasizes relationships within communities of things: complex sculptural combinations of objects found, bought, gathered and made. Denny’s approach is sculpturally holistic, seeking and building upon analogous connections between the various formal aspects of his work. Typically, Denny’s sculptural installations are formed from predetermined fragments then assembled within a given space, which to a significant extent determines the final form and content of the work. The finished work is thus more accurately described as the formal resolution of Denny’s working process, of sensing and facilitating interconnections between composite elements and the ideas they can contribute to a larger project.

Denny presents his audiences with situations that tend to foreground an engagement with associations of form, purpose and action. Distinctively rough-shod, ad-hoc constructions of everyday materials are combined with - and are often comprised of - domestic ready-mades. Denny’s apparent crude modesty of form belies the poetic intelligence of the works coming-to-be and sculptural conceit. Denny’s art-making is rooted in doing: considerations of performance and acts of making which embed the artists gesture and activity in his objects - objects chosen in the first instance for the character and activity they already inhabit.

Simon Denny had his first major exhibition in the U.S in 2015, with  at MoMA PS1, a solo exhibition covering his major works to-date, which opened on 3 April.

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