THOMAS JOSHUA COOPER

The capturing of any one image can involve days, weeks and months of preparation, arduous travel and considerable efforts to achieve. The locations are found on a map, tracked down and then photographed, each place the subject of a single negative taken with a weighty antique field camera. They are meditative, almost philosophical images, exquisitely printed by the artist in the 19th century manner with layers of silver and gold chloride.

For the last 32 years, Cooper has worked on a parallel project to his wider travels, chronicling his adopted land through the rivers that help to define its identity. Between September 2019 and January 2020 the Los Angeles County Museum of Art presented Atlas of Emptiness and Extremity, The World’s Edge, an exhibition of 65 images marking the completion of Cooper’s epic Atlas project. Over 32 years Cooper voyaged to the cardinal points of the continents fringing the Atlantic Basin, charting from pole to pole, and making photographs out to horizonless seas and over apparently limitless landscapes. As Danya Goodyear noted (in the New Yorker) ‘In Cooper’s photographic epic about exploration, colonization, migration and homecoming, he is both narrator and protagonist’. A selection of works from the Cooper’s series, Atlas of Emptiness and Extremity, was presented in an exhibition at the National Galleries of Scotland from August 2021-January 2022.

Courtesy Ingleby