WALTER PRICE

The artist has exhibited widely throughout the United States and Europe. In 2018, Price was the subject of a self-titled solo exhibition at MoMA PS1, Long Island City, New York. The same year, Walter Price: Pearl Lines was presented at the Kölnischer Kunstverein, Cologne. In 2019, Walter Price: We passed like ships in the night was held at the Aspen Art Museum. The Camden Art Centre, London, presented Walter Price: Pearl Lines in 2021, which was accompanied by the first major monograph of the artist’s work. In the fall of 2024, the Walker Art Center, Minneapolis, will present the most comprehensive exhibition of the artist’s work to date. Price has given the title, Pearl Lines, to the majority of his solo presentations, suggesting that each exhibition expands beyond the confines of its own time and place, becoming part of a larger body of work.

The artist has also had solo exhibitions at the Modern Institute, Glasgow (2016; 2018; 2020; and 2022); Karma, New York (2016); Greene Naftali, New York (2020; 2022); Galerie Barbara Wien, Berlin (2022); 14a, Hamburg (2023); and Modern Art, London (2024).

Price has also been included in several notable group exhibitions, including Fictions, The Studio Museum in Harlem, New York (2017); the 2019 Whitney Biennial; 100 Drawings from Now, The Drawing Center, New York (2020); The Drawing Centre Show, Le Consortium, Dijon (curated by Franck Gautherot, Seungduk Kim, Tobias Pils, and Joe Bradley) (2022); and Black Melancholia, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York (2022). Also in 2022, paintings by Price were included in the exhibition Toni Morrison’s Black Book, curated by Hilton Als, David Zwirner, New York.

The artist has been granted several residencies throughout his career at the Guild Hall, East Hampton, New York (2017); Robert Rauschenberg Foundation, Captiva, Florida (2018); Fürstenberg Contemporary, Donaueschingen, Germany (2019); and the Camden Art Center, London (2020).

Work by Price is held in prominent institutional collections worldwide, including the Aïshti Foundation, Beirut; Astrup Fearnley Museet, Oslo; Centre Pompidou, Paris; Gallery of Modern Art, Glasgow; Hammer Museum, University of California, Los Angeles; Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; The Roberts Institute of Art, London; Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; and the Zabludowicz Collection, London.

Courtesy David Zwirner