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Pierre Huyghe: The Artist as Director Ocula Conversation Pierre Huyghe: The Artist as Director

Pierre Huyghe is a producer of spectacular and memorable enigmas, with works that function more like mirages than as objects. Abyssal Plain (2015–ongoing), his contribution to the 2015 Istanbul Biennial, curated by Carolyn Christov-Bakargiev, was installed on the seabed of the Marmara Sea, some 20 metres below the surface of the water and close to...

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MoMA Expansion: Once the Modern, Always the Modern Ocula Report MoMA Expansion: Once the Modern, Always the Modern 29 Nov 2019 : Mohammad Salemy for Ocula

In the early decades of its existence, New York's Museum of Modern Art (MoMA), founded in 1929, transformed from a philanthropic project modestly housed in a few rooms of the Heckscher Building on the corner of Fifth Avenue and 57th Street, to an alleged operating node in the United States' cultural struggle during the cold war, and one of the...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
Sponsored Content | Mazzoleni Gallery
Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Yinka Shonibare CBE (RA)

b. 1962, United Kingdom

Yinka Shonibare MBE was born in 1962 in London and moved to Lagos, Nigeria at the age of three. He returned to London to study Fine Art first at Central Saint Martins College and then at Goldsmiths College, where he received his MFA.

Shonibare's work explores issues of race and class through the media of painting, sculpture, photography and film. Having described himself as a 'post-colonial' hybrid, Shonibare questions the meaning of cultural and national definitions. His trademark material is the brightly coloured 'African' fabric he buys at Brixton market. The fabric was inspired by Indonesian design, mass-produced by the Dutch and eventually sold to the colonies in West Africa. In the 1960s, the material became a new sign of African identity and independence.

Shonibare was a Turner prize nominee in 2004, and he was also awarded the decoration of Member of the Most Excellent Order of the British Empire or MBE. He has added this title to his professional name. He was notably commissioned by Okwui Enwezor at Documenta 10 in 2002 to create his most recognised work Gallantry and Criminal Conversation that launched him onto an international stage. He has exhibited at the Venice Biennale and internationally at leading museums worldwide. In September 2008, his major mid-career survey commenced at the MCA Sydney and then toured to the Brooklyn Museum, New York and the Museum of African Art at the Smithsonian Institution, Washington, D.C.

Shonibare has also been elected as a Sculptor in the Royal Academy of Arts, making him part of a select society of at most 80 practicing artists working in the UK. This honour, historically a way to distinguish an artist as a professional in Britain, is the art community's recognition of the significance of Shonibare's work.

Shonibare's work Nelson's Ship in a Bottle was the 2010 Fourth Plinth Commission, and was displayed in Trafalgar Square, London until January 2012. It was the first commission by a black British artist and was part of a national fundraising campaign organised by the Art Fund and the National Maritime Museum, who have now successfully acquired the sculpture permanently for display outside the museum's new entrance in Greenwich Park, London.

In 2012, the Royal Opera House commissioned Globe Head Ballerina to be displayed on the exterior of the Royal Opera House, overlooking Russell Street in Covent Garden. The life-sized ballerina encased within a giant 'snow globe' spins slowly as if caught mid-dance. The piece appears to encapsulate a moment of performance as if stolen from the stage of the Royal Opera House.

In 2014, a permanent public commission of Wind Sculpture was unveiled at Howick Place, London, England. Wind Sculpture was also shown as part of his solo exhibition at Royal Museums Greenwich in September 2013 and at Frieze Sculpture Park in October 2013. Measuring 6 metres by 3 metres, the work explores the notion of harnessing movement through the idea of capturing and freezing a volume of wind in a moment in time.

Recent solo exhibitions include Paradise Beyond (2016-17), Gemeentemuseum, Helmond, the Netherlands; Childhood Memories (2016), Pearl Lam Galleries, Singapore; Wilderness in the Garden (2015), Daegu Art Museum, Daegu, Korea; Colonial Arrangements (2015), Morris-Jamel Mansion, New York, New York, USA; Egg Fight (2014), Foundation Blachère, Apt, France; Yinka Shonibare MBE: Magic Ladders (2014), The Bares Foundation, Philadelphia, Pennsylvania, USA; and Cannonball Paradise (2014), Gerisch Stiftung Sculpture Park, Neumünster, Germany. Recent notable group shows include In Search of Meaning: The Human Figure in Global Perspective (2015) Museum de Fundatie, Zwolle, the Netherlands; Staying Power: Photographs of Black British Experience 1950s-1990s (2015), Victoria & Albert Museum, London, UK; The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists (2015), Frankfurt MMK, Frankfurt, Germany, which was later exhibited at the Smithsonian National Museum of African Art, Washington, D.C., USA.

Shonibare's works are included in prominent collections internationally, including the Tate Collection, London; Victoria and Albert Museum, London; National Museum of African Art, Smithsonian Institute, Washington, D.C.; Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Moderna Museet, Stockholm; National Gallery of Modern Art in Rome, Rome; and VandenBroek Foundation, the Netherlands.

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Featured Artworks

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Athena II by Yinka Shonibare CBE (RA) contemporary artwork
Yinka Shonibare CBE (RA)Athena II, 2019 Fibreglass sculpture, hand-painted with Batik pattern, and steelbase plate or plinth
Goodman Gallery
Clementia by Yinka Shonibare CBE (RA) contemporary artwork
Yinka Shonibare CBE (RA)Clementia, 2018 Fibreglass sculpture, hand-painted with Batik pattern, and steelbase plate or plinth
Goodman Gallery
Planets in my Head, Young Photographer by Yinka Shonibare CBE (RA) contemporary artwork
Yinka Shonibare CBE (RA)Planets in my Head, Young Photographer, 2019 Costumed figure sculpture, camera and tripod

Sold
Goodman Gallery
Post-Colonial Globe Man by Yinka Shonibare CBE (RA) contemporary artwork
Yinka Shonibare CBE (RA)Post-Colonial Globe Man, 2018 Fibreglass sculpture, hand painted with Batik pattern, and steelbase plate or plinth
240 x 80 x 80 cm
Goodman Gallery
Unstructured Icons by Yinka Shonibare CBE (RA) contemporary artwork
Yinka Shonibare CBE (RA)Unstructured Icons, 2018 A set of six relief prints with woodblock and fabric collage on Somerset Tub Sized Satin 410gsm paper, contained within a wooden portfolio box bound in Dutch wax batik fabric selected by the artist
84 x 62 cm
Cristea Roberts Gallery
Cowboy Angel I by Yinka Shonibare CBE (RA) contemporary artwork
Yinka Shonibare CBE (RA)Cowboy Angel I, 2017 A series of five woodcuts with fabric collage on Somerset Tub Sized Satin 410gsm paper. Sets 1-10 are contained within a wooden portfolio box bound in dutch wax batik fabric, selected by the artist
94.5 x 70 cm
Cristea Roberts Gallery
Cowboy Angel II by Yinka Shonibare CBE (RA) contemporary artwork
Yinka Shonibare CBE (RA)Cowboy Angel II, 2017 A series of five woodcuts with fabric collage on Somerset Tub Sized Satin 410gsm paper. Sets 1-10 are contained within a wooden portfolio box bound in dutch wax batik fabric, selected by the artist
94.5 x 70 cm
Cristea Roberts Gallery

Recent Exhibitions

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Contemporary art exhibition, Group Exhibition, I’ve grown roses in this garden of mine at Goodman Gallery, London
Closed
3 October–2 November 2019 Group Exhibition I’ve grown roses in this garden of mine Goodman Gallery, London
Contemporary art exhibition, Group Exhibition, Print Project Space: Royal Academicians in Focus at Cristea Roberts Gallery, London
Closed
21 June–31 July 2018 Group Exhibition Print Project Space: Royal Academicians in Focus Cristea Roberts Gallery, London
Contemporary art exhibition, Group Exhibition, Quotidian at Pearl Lam Galleries, Shanghai
Closed
18 January–12 March 2017 Group Exhibition Quotidian Pearl Lam Galleries, Shanghai

Represented By

In Ocula Magazine

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EXPO Chicago Sets the Scene for 2020 Ocula Report EXPO Chicago Sets the Scene for 2020 27 Sep 2019 : Stephanie Bailey for Ocula

'Where Will You Be in 1933?' was the official song of the 1933 Chicago World's Fair—a buoyant ditty written in 1932 to promote an exposition celebrating Chicago's centennial during the Great Depression. On 18 September 2019, it was performed at the Chicago Symphony Center as part of Samson Young: World Fair Music. The performance extended...

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Yinka Shonibare (MBE, RA) at Pearl Lam Galleries, Singapore Ocula Insight Yinka Shonibare (MBE, RA) at Pearl Lam Galleries, Singapore By Anna Dickie

In an ironic twist, it is the work of Yinka Shonibare MBE RA who I am most reminded of when visiting the National Gallery Singapore and spying the work, Morning (1960-1963) by Chuah Thean Teng. The National Gallery work makes reference to batik, a fabric Shonibare uses in his work. While Teng’s early use of wax-dying batik techniques is...

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Serge Tiroche Ocula Conversation Serge Tiroche Co-founder, the Tiroche DeLeon Collection

With an ultra slick website that enables easy navigation of its 400 plus artworks from many of the leading artists of today, the Tiroche DeLeon Collection is unique in its focus and ownership structure. Established in 2011 by Serge Tiroche and Russ DeLeon, the collection is focused on artworks by both recognised masters, and emerging talent from...

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Art Universelle: A Report From Art14 Ocula Report Art Universelle: A Report From Art14 4 Mar 2014 : Stephanie Bailey for Ocula

Art14 is a young fair, and its premise is what makes it interesting. Launched in 2013 as Art13, the fair made a grand statement on its cultural composition by billing itself as London’s global art fair – the one and only. In 2014, this identity was asserted with a broad, multi-cultural stroke that brought together 180 galleries, 700...

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In Related Press

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Yinka Shonibare at Driehaus Museum Related Press Yinka Shonibare at Driehaus Museum Art in America : 1 June 2019

A Tale of Today: Yinka Shonibare CBE inaugurates the Driehaus Museum's exhibition series spotlighting the work of contemporary artists of color, an exciting new direction for this Gilded Age mansion–turned–museum, whose programming has focused largely on art and design from the home's original era.

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Yinka Shonibare Restages the Trauma of the Gilded Age Related Press Yinka Shonibare Restages the Trauma of the Gilded Age Hyperallergic : 26 April 2019

CHICAGO — In one story arc of The West Wing, the political drama created by Aaron Sorkin that ran on NBC television in the early 2000s, Josh Lyman, the White House Deputy Chief of Staff, is shot and critically wounded by white supremacists. Lyman recovers in the hospital and eventually returns to work where he begins to behave in increasingly...

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Viva Arte: 10 to See Related Press Viva Arte: 10 to See Aesthetica : 22 April 2017

The 57th Venice Biennale, International Art Exhibition, titled VIVA ARTE VIVA and curated by Christine Macel, is fast-approaching. The 2017 edition will be open to the public from 13 May to 26 November at the Giardini and Arsenale venues, following a sequence of preview days. Unfolding over the course of nine chapters or families of artists, VIVA...

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Preview: 8 highlights from Art021 Shanghai Contemporary Art Fair and West Bund Art and Design Related Press Preview: 8 highlights from Art021 Shanghai Contemporary Art Fair and West Bund Art and Design Art Radar Journal : 8 November 2016

November is a big month for Shanghai. From 10 to 13 November 2016, ART021 Shanghai Contemporary Art Fair will open its doors at the Shanghai Exhibition Center. Now in its fourth year, the fair is an officially sanctioned project of the 18th China Shanghai International Arts Festival and includes the participation of 84 galleries from 18 countries...

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