
At the invitation of the Musée national Picasso-Paris, Argentine artist Guillermo Kuitca (b. 1961) has created a site-specific work in the chapel of the Hôtel Salé. Since his intervention at the Venice Biennale in 2007, Kuitca has developed a new language, echoing the architecture, which the artist calls ‘cubistoid painting’, in which a set of intersecting lines, like so many folds in the plane, is deployed directly on the walls, forming a new pictorial space. Kuitca describes his place on ‘the carousel of modern art’ :
“Many years ago, I painted pictures showing a luggage conveyor belt. I think thatart history was the real subject of these paintings. Art would be this carousel; the work of art, a piece of luggage and the artists, passengers. While waiting for our luggage, we ask ourselves a number of questions: ‘Will my suitcase arrive and will I be able to recognise it among other similar ones? And if I took someone else’s suitcase, would I be wearing their clothes? Will my luggage be destroyed forever? For me, these questions are a meditation on inheritance . They also envision a possible encounter with Picasso, as if he were, after all, another passenger.”
For Kuitca, painting has a memory. Through these experiments, he links up with the history of modern art, Cubism being invoked as the trace of a movement that operates like a diffraction of reality, the construction of an imaginary space. This site-specific installation was generously supported by the Hauser & Wirth gallery.



The Musée Picasso is located in the Hôtel Salé, one of the most beautiful 17th century private mansions in Paris. The Musée Picasso collection comprises over 5,000 works and tens of thousands of archived pieces. For its quality and scope as well as the range of art forms it encompasses, this collection is the only one in the world to present both Picasso’s complete painted, sculpted, engraved and illustrated œuvre and a precise record of the artist’s creative process.

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