Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...
The fifth edition of Sydney Contemporary will take place once again at Carriageworks between 12 and 15 September 2019, with Spring 1883 bringing together a cohort of 27 galleries from across Australia and the region to inhabit rooms at the Establishment Hotel from 11 to 14 September 2019, uniquely presenting contemporary works propped up on...
Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...
Para Site is proud to present the touring exhibition Koloa: Women, Art, and Textiles, an unprecedented international presentation of the life-long research of Lady Dowager Tunakaimanu Fielakepa, one of the Kingdom of Tonga's foremost knowledge-holders of customary arts. While Lady Fielakepa has often been consulted and has written for major international research and museum projects, this will be the first exhibition that presents her exceptional work and perspective to both Tongan and international audiences under her acknowledged authorship.
Taken together, the art practices of weaving and bark-cloth making in Tonga are called koloa, a term denoting value, understood in this context in relation to the wealth and self-empowerment of women who make these art objects. These artistic languages are extraordinary both for their stunning visual richness and for their significance as contemporary art practice. As such, they are works of highly sophisticated artistic, ecological, navigational, and socio-political complexity. Their inscription through material and graphic vocabularies trace patterns of exchange across some 170 islands of the Kingdom of Tonga, and beyond.
The exhibition will present the practice of ngatu (bark-cloth), a major form of contemporary art in Tonga, with both recent examples from active women's groups as well as highly significant historical pieces. These will be presented in thematics that explore their making and designs, or kupesi, as well as their social function. In this way, the presentation will demonstrate the ongoing richness of ngatu as a sovereign aesthetics of Tonga's flourishing indigenous nation in the Pacific. Extensive examples of fine-weaving will also be showcased including ta'o'vala, fi'hu, and mats, as well as the ties or kafa used to bind woven textiles as worn garments. Styles of weaving will be explored in their connection to particular plant fibres and the particular island contexts that they arise from, as well as their role in different social circumstances.
Organising this exhibition within a contemporary art institutional framework affirms a commitment to expanding what is acknowledged as contemporary artistic practices. It responds to this political agenda to decolonise our taxonomies and perspectives and to move beyond the category of art as defined by the colonial legacy, by including artists working with and from within multiple aesthetic and cosmological perspectives and meanings, manifesting the multiplicities that construct our kaleidoscopic global reality. This includes as a matter of urgency practices that have been systematically excluded from the realm of art and designated by a colonial ethnographic gaze as craft, folklore, or at best, "traditional" art, even if these practices often perform analogous cultural and social functions in their communities as art does in the system of global society. The presentation and reception of such work in the changing and critical field of contemporary art recognises the same evolving nature of these practices, as well as their potential for a critical reflection of their contexts, as opposed to the static and obedient character assigned to them by the Westerncentric perspective.
The exhibition is curated by Lady Dowager Tunakaimanu Fielakepa, and co-curated by Cosmin Costinas (Executive Director / Curator of Para Site, Hong Kong) and Vivian Ziherl (Director of Stitching Frontier Imaginaries, Amsterdam). The project is coordinated by exhibition managers Alecs Aleamotu'a, Tanya Edwards, and Benjamin Work. Koloa in Nuku'alofa is presented in partnership with Langafonua Centre and supported by Tanoa International Dateline Hotel.
Following the exhibition's inauguration at the Langafonua Centre in Nuku'alofa, it will be presented at Para Site in Hong Kong in December 2019.
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