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Tate Announces the Artists Getting Solo Shows in 2025

The programme includes survey shows for Ed Atkins, Emily Kame Kngwarreye, and Do Ho Suh.
Tate Announces the Artists Getting Solo Shows in 2025
Tate Announces the Artists Getting Solo Shows in 2025

Emily Kam Kngwarray, Ntang Dreaming (1989) (detail). National Gallery of Australia. © Estate of Emily Kam Kngwarray / DACS 2024, All rights reserved.

By Anna Dickie – 31 May 2024

The 2025 programme launches in February at Tate Modern with a show dedicated to the convention-defying Leigh Bowery. Emerging from London's 1980s club scene, Bowery was known for his outrageous performances, influencing creatives from Jeffrey Gibson to Alexander McQueen and Lady Gaga.

Progressing into the hot summer months, Tate Modern will open solo shows dedicated to Do Ho Suh and Emily Kame Kngwarreye.

Do Ho Suh, Rubbing/Loving Project: Seoul Home (2013–2022). Graphite on mulberry paper, aluminium. Exhibition view: Do Ho Suh, Museum of Contemporary Art Australia (MCA), Sydney (4 November 2022–26 February 2023).

Do Ho Suh, Rubbing/Loving Project: Seoul Home (2013–2022). Graphite on mulberry paper, aluminium. Exhibition view: Do Ho Suh, Museum of Contemporary Art Australia (MCA), Sydney (4 November 2022–26 February 2023). © Do Ho Suh. Courtesy the artist and MCA. Photo: Jessica Maurer.

Born in 1962 in Seoul, Suh is a contemporary artist with a well-earned international reputation who has shown in numerous institutions. It will be interesting to see what the Tate's curators bring to this. His show, opening on 1 May, will include immersive fabric installations, life-size replicas of his past homes, videos, and delicate works on paper.

In contrast to Suh, Emily Kame Kngwarreye is less well-known despite being one of Australia's most highly acclaimed artists. Her show will be the first major institutional survey dedicated to the artist in the Northern Hemisphere. It is expected to include works created in the 1970s and 80s—many of which have never been shown outside of Australia—reflecting on the artist's extraordinary life as a senior Anmatyerr woman from the Utopia region (northeast of Mparntwe/Alice Springs) of Australia.

Emily Kame Kngwarreye, Anooralya–My Story (1991) (detail). Synthetic polymer on linen. 121.5 x 213 cm.

Emily Kame Kngwarreye, Anooralya–My Story (1991) (detail). Synthetic polymer on linen. 121.5 x 213 cm. © Emily Kame Kngwarreye / Copyright Agency. Licensed by Artists Rights Society (ARS), New York, 2020.

Across the river, at Tate Britain, Ed Atkin's work will take centre stage in a career-spanning exhibition that includes paintings, writing, embroideries, and drawings alongside moving-image works. The museum will also dedicate solo exhibitions to three artists associated with Surrealism: Edward Burra, Ithell Colquhoun, and the photographer Lee Miller.

Miller's exhibition is expected to include over 250 images of the acclaimed fashion and war photographer, who this year is also the subject of Lee (2024), a feature film starring Kate Winslet.

Man Ray, Lee Miller (1930). Gelatin silver print. 22.5 x 17.5 cm.

Man Ray, Lee Miller (1930). Gelatin silver print. 22.5 x 17.5 cm. Courtesy the artist and Gagosian.

Next spring, Colquhoun, a British female artist who made work during the 1930s and 40s, will also be the subject of a solo show at Tate St Ives. This exhibition follows Małgorzata Mirga-Tas's eponymous exhibition, which will open from October 2024 to January 2025.

Other artists to receive career-spanning exhibitions at Tate St Ives as the year progresses include Liliane Lijn and Emilija Škarnulytė.

Tate Liverpool will host the Liverpool Biennial from 7 June to 14 September 2025. —[O]

Main image: Emily Kam Kngwarray, Ntang Dreaming (1989) (detail). National Gallery of Australia. © Estate of Emily Kam Kngwarray / DACS 2024, All rights reserved.

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