
Opening Reception
10 December 2018, 6-8pm
To be officiated by Mr. Jack E. Lange
Chairman, American Chamber of Commerce
In the presence of the artist
Alisan Fine Arts is proud to present our fourth solo exhibition of recent paintings by Chinyee, an American Chinese, female artist whose work has been esteemed by critics as Lyrical Abstraction. Chinyee’s work is permeated with influences from both East and West. Her loose, unformulated brushstrokes reflect both Asian brush techniques and years of careful study of modern abstraction. The symphonic, colourful, and optimistic aura of her works is edged with dynamism. Through her work, one may glimpse the spontaneity of Willem de Kooning, the poignancy of Joan Mitchell, and the spaciousness of Mark Rothko. For this exhibition we will be showing a body of new works, both on canvas and on paper.
Artist’s Statement: Painting to me is a process of discovering, shaping and reshaping my inner being. I work spontaneously—starting with a line or a dot, similar to Chinese calligraphy, from left or right. Then I let the drama begin to develop among the colours and lines under my subconscious control. I seek in my work rhythm, harmony among conflicts, lines with energy, and even surprise. I chose to do abstract painting and it is still the best form of my expression. The charm of abstract paintings is that visually they are vague, uncertain, intuitive. The language utters energetic rhythm, subconscious cries, and subtle poems.

Chinyee is a first-generation Chinese-American artist who associates herself with the New York School of Abstract Expressionism. Born in 1929 in Nanjing, her early childhood was clouded by the onset of the Sino-Japanese War. She began her formal education at Nankai Secondary School in Chongqing. Then in 1947, she was awarded a four-year scholarship to study Fine Arts at the College of Mount Saint Vincent in New York, and graduated with a Bachelor of Arts in 1951. She then went on to receive a Master of Arts in Art Education from New York University in 1953, and joined the United Nations after graduation. She was sent to work in Congo in 1961 and was greatly inspired by her time there. It was during the 1950s that she began to experiment with semi-abstract art, then later, total abstraction. Chinyee’s work combines both Eastern spirit and Western expression. Her gestural and loose brush strokes reflect both Asian brush techniques and years of careful study of modernist abstraction. The spontaneity of touch, the sense of excitement in the off-set compositions, and the unexpected bursts of colours are all genuine expressions of her mood, emotions and life experiences.
Co-founded in the 1980s by Alice King, Alisan Fine Arts is Hong Kong’s longest-standing contemporary gallery, celebrated for its trailblazing promotion of Chinese contemporary art and New Ink art. The gallery has consistently championed artists from the Greater China region and Chinese diaspora, making an impact on cross-cultural dialogues and global appreciation of diverse artistic expressions.

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