
Born in 1987, Bilal Hamdad trained as a painter in Sidi Bel Abbes before moving to France to study. He graduated from the Beaux-Arts in Paris in 2018, and quickly made a name for himself with his strikingly naturalistic canvases exploring contemporary solitude. He borrowed to socialist realism to develop a body of work marked by a long process of observation and exploration of society. Often haunted by the question of isolation in the public space, his paintings tackle crowd phenomena as well as themes of intimacy, sharing and mixing.
The artist unveils a dozen brand-new canvases, including four large format and a handful of medium format pieces. Created during his residency at Casa de Velázquez in Madrid, Hamdad found inspiration in the Spanish masters – Velázquez to Goya – as well as artists influenced by Hispanic culture, such as Rubens and Manet. Reminiscences of their works – café scenes, opulent draperies, ghostly figures – appear in disturbing chiaroscuro effects. By combining scenes of urban gatherings with the issues of the great masters, Bilal Hamdad builds bridges between past and present, and opens up his painting to a multitude of interpretations. Beyond the homage, his canvases evoke visual palimpsests of a new kind that question both the ambiguity of our times and the relevance of painting today.
Bilal Hamdad’s work has featured in a wide range of solo and group exhibitions, including at the Louvre Lens (2024), Mo.Co Panacée, Montpellier (2023), La Biennale de Paname, Paris (2023), Le Suquet des Artistes, Cannes (2022) and École Nationale Supérieure des Beaux-Arts de Paris (2018). His art has been awarded numerous prizes, including the Prix Fondation François Schneider (2023) and Prix Fondation Colas (2020), and features in several collections, including at the Fondation François Schneider, Wattwiller, northeast France (2023), Musée National de l’Histoire de l’Immigration, Paris (2022), Fondation Colas, Paris (2020) and The Sarr Collection (2019).


The gallery was founded in 1966 by Daniel Templon, who was then only 21. It first opened rue Bonaparte, in Saint-Germain-des-Prés in Paris, before moving in 1972 to its current location, rue Beaubourg, in the Marais, close to the Pompidou Center, which opened in 1977. Daniel Templon first gained recognition by exhibiting conceptual and minimal artists such as Martin Barré, Christian Boltanski, Donald Judd, Joseph Kosuth, Richard Serra. In the seventies and eighties, Daniel Templon was one of the pioneers of the contemporary art and introduced many important American artists to the French public: Dan Flavin, Ellsworth Kelly, Willem de Kooning, Frank Stella, Andy Warhol. The gallery quickly became one of the references in contemporary art in France. In 1972, Daniel Templon and Catherine Millet co-founded the monthly art magazine ART PRESS.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services