
The floor of Rose Wylie‘s studio in Kent, England, is covered with newspapers-source material for her art, which references films, celebrities, athletes, news stories, and renaissance paintings without hierarchy, but often through the filter of her own memory.
In this new series of hand-finished editioned prints, Wylie re-examines her personal history while experimenting with varying ways to intervene on each unique work using oils, watercolours, and coloured pencils.
These large-scale prints are based on one of her original pages from ‘Clothes I Wore’, a collection of drawings and collages depicting the artist’s memorable garments, along with objects from her personal life: Victorian spoons, say, or her cat Pete.
Much like her breakthrough ‘Glamour Girl’ paintings, these editions render the private in a public manner. As Wylie has said, ‘a diary can become history if better known.’
This online presentation debuts in parallel with the artist’s solo exhibition at the gallery in Hong Kong. Rose Wylie painting a noun... is on view through Saturday, February 22.
British artist Rose Wylie (b. 1934) creates paintings and drawings that on first glance appear aesthetically simplistic, not seeming to align with any recognizable style or movement, but on closer inspection are revealed to be wittily observed and subtly sophisticated mediations on the nature of visual representation itself. The layers of newspaper that line her studio floor are a frequent source of material for the artist, as she encounters images by chance while working. Drawing from such wide-ranging cultural areas as film, fashion photography, literature, mythology, news images, sports, and individuals she meets in her day-to-day life, Wylie paints colorful and exuberant compositions that are uniquely recognizable. The artist has acknowledged her great admiration for Philip Guston, whose late paintings likewise make use of an idiosyncratic visual lexicon, the directness of cartoonish figures, and a flattened perspective, but simultaneously betray a deep awareness of art history and painterly conventions.





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