Daniel Steegmann Mangrané‘s practice encompasses a wide range of media, including film, sculpture, sound, gardens and drawing. His work focuses on the creation and migration of forms between nature, art and architecture. The artist is particularly interested in biological and morphogenetic processes, which he uses as inspiration for the creation of works that, responding to self-imposed systems of chance and rule-based principles of composition, undermine the boundaries between organic and man-made aesthetics and the traditional separations between objects and subjects.

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