
Galatea inaugurates on March 27, Thursday, the solo exhibition Katie Van Scherpenberg: The Body of the Work on Oscar Freire Street, in São Paulo. The exhibition marks the representation agreement by Galatea of the work of Katie Van Scherpenberg (São Paulo, 1940), an artist who has gained international recognition and prominence since being represented, in 2019, by the London gallery Cecilia Brunson Projects, with which the Brazilian gallery is now collaborating. The show runs until May 24.
Scherpenberg’s artistic production, which began nearly fifty years ago, is rooted in her investigations around painting and its structural and symbolic elements. The artist has experimented extensively with different interventions on diverse surfaces, exploring natural pigments, developing her own tempera, triggering chemical reactions, and examining the oxidation processes of various materials.
Through her questioning of painting as a medium, Scherpenberg arrived at landscape as a subject, extending her use of colour beyond the canvas to intervene in physical spaces—sand, water, grass, trees. By documenting these interventions, which she refers to as landscape paintings, the artist—formerly known primarily as a painter—positions herself as a performer, highlighting the role of the body in painting. The exhibition’s title, therefore, seeks to emphasise the corporeality in her work, which challenges both the plasticity of materials and the physical presence of the artist herself.
Galatea is a gallery that emerges from the different and complementary trajectories and backgrounds of its founding partners: Antonia Bergamin worked for almost a decade as a managing partner of a major gallery in São Paulo; Conrado Mesquita is an art dealer and collector whose specialty is discovering great works in unlikely places; and Tomás Toledo is a curator who actively contributed to the historic institutional renovation of MASP, from which he recently left as chief curator.

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