Galerie Krinzinger In Ocula Magazine

Returning to the Javits Center in September, The Armory Show is an important New York art fair presenting leading international art galleries. Take a look at Ocula's highlights from the ground.

Radhika Khimji joins curator and art historian Reem Fadda to discuss her work's exploration of the body as a fluid and transitory space.

Entitled CHAOS : CALM, the exhibition seeks to reflect the turbulence, trauma, and angst experienced during the pandemic.

Curator Odile Burluraux discusses her latest project at ASIA NOW, a special programme of video works by ten women artists from Iran.

The fair highlighted Taryn Simon, Ren Hang, Hiroshi Sugimoto, and Marina Abramović in previous editions.

Kader Attia, whose atmospheric installations explore ideas of repair, has been appointed curator of the 12th Berlin Biennale for Contemporary Art.

Despite numerous cancellations and postponements, several significant biennales in Europe and Asia will take place this year.

These are the exhibitions to catch across 798 Art District as part of Gallery Weekend Beijing.

Digital Museum Collecteurs has announced its list of the top 100 artists and activists making global change.

Having launched their first exhibition on International Women's Day, the collective What, How & for Whom discuss the challenges of transforming an art institution.

The Armory Show (5–8 March) features presentations by leading international galleries, innovative artist commissions, and dynamic public programs. The 2020 edition of The Armory Show, welcomes 183 exhibitors from 32 countries, convening Midtown Manhattan at Piers 90 and 94.

For its 18th edition in Miami Beach, 269 leading international modern and contemporary art galleries from across the world exhibited artworks by over 4,000 artists.

High-Speed Forms, Zhang Ding's latest solo with OCAT Shanghai, simulates being carried into the future.

The sixth edition of West Bund Art & Design features more than 100 leading galleries from Asia, Europe, North America and Latin America at West Bund Art Center, Shanghai.

RoseLee Goldberg discusses the history of performance art and her ongoing support of artists in realising ambitious live performance work through the Performa Biennial, which is set to launch its eighth edition in New York on 1 November.

For its 46th edition, FIAC is pleased to host an exacting selection of modern art, contemporary art, and design galleries, among the most emblematic of the internationalscene within the prestigious nave and exhibition rooms of the Grand Palais.

Frieze London returns to Regent's Park to present the best of international contemporary art by emerging and established artists, alongside a dynamic programme of newly commissioned artworks, films and talks.

...while the thematic chaos of the multi-curator approach adopted by this biennial invites easy criticism, the production of an exhibition where vastly different and far-ranging ideas are able to fluidly interact is also what makes this a model platform.

It was here that the themes of nature and networks—organic, technological, and political—joined with the conversations that have taken place throughout Tamawuj's run, which have examined how art's agents and institutions might effectively respond to the politics of the times.

Düsseldorf, the capital of Germany’s most populous federal state and the economic heart of the Rhine-Ruhr region, has developed an identity as a ‘trade fair city’, with an excellent cultural scene that includes a long list of festivals and cultural institutions.

We want to allow artists the space to take risks and explore. That's my job as a curator: to be mindful of that, to remove the anxieties around exploring something new, and to create a supportive environment around an artist that allows them to take those leaps.

Following on from the spectacle of Frieze London, contemporary art fair FIAC took place in Paris from 20–23 October.

Since the beginning, IZOLYATSIA was driven by an ambition to implement new economic models in Ukraine, changing its mono-industrial profile to a more diverse landscape of local creative enterprises.

Given Manifesta’s budget of a reported 5 million francs—with an alleged 8000 euros going to each of the artists to produce work—the biennial would have been better titled ‘What people do for no money’