Sayre Gomez is a contemporary artist known for his photorealistic paintings and sculptures that capture the layered realities of urban Los Angeles, exploring the interplay between authenticity and simulation in contemporary art.
Born in Chicago in 1982, Sayre Gomez studied at the School of the Art Institute of Chicago before completing an MFA at the California Institute of the Arts. Early exposure to city life, including a formative job in a photo lab, shaped his fascination with the overlooked corners and visual language of urban environments. Gomez lives and works in Los Angeles, a city whose contradictions and complexities are central to his work.
Gomez’s art practice is defined by semi-fictionalised, photorealistic paintings—often called ‘X-scapes’—and sculptural works that draw on the visual vernacular of Los Angeles. He employs techniques ranging from trompe l’oeil and airbrushing to stencilling and methods used in Hollywood set painting, synthesising found images, snapshots, and digital fragments into striking compositions.
Gomez’s paintings frequently depict storefronts, billboards, and architectural details, often focusing on signs of decay, gentrification, and the passage of time. Notable examples include Diamonds and Pearls (2022), which immortalises a nail salon’s neon sign, and The Whole Wide World is a Haunted House (2022), a landscape-oriented painting that shows a dilapidated building against the red-tinged sky.
In his first solo exhibition in Italy, titled Renaissance Collection (2022) at Fondazione Sandretto Re Rebaudengo in Turin, Gomez explored themes of urban redevelopment through the lens of Los Angeles’s grandly named apartment complexes, referencing the city’s ongoing transformation and the mythos of progress. In paintings such as Da Vinci Staircase (2022), harsh urban structures are juxtaposed with soft, luminous skies.
Gomez’s practice also includes sculpture, installation, and video, often using motifs such as windows, doors, and barriers to symbolise both possibility and exclusion within the urban landscape.
Sayre Gomez has been the subject of both solo and group exhibitions at leading institutions.
Sayre Gomez’s website can be found here and the artist’s Instagram can be found here.
Gomez draws inspiration from the urban sprawl, car culture, and visual contradictions of Los Angeles, often focusing on the city’s overlooked or transitional spaces.
He combines traditional painting techniques with digital processes, using airbrushing, trompe l’oeil, and stencilling, as well as methods from Hollywood set design to achieve his signature photoreal effects.
Recurring motifs include windows, doors, fences, and signage, alluding to themes of access, exclusion, and the psychological landscape of the city.
Gomez’s work can be viewed at his representing galleries: Xavier Hufkens (Brussels) and Galerie Nagel Draxler (Berlin/Cologne/Munich). His works are also in the collections of the Whitney Museum of American Art, The Broad, Hammer Museum, mumok Vienna, Art Gallery of New South Wales, and Rubell Museum, among others.
Sayre is pronounced ‘SAY-er’, and Gomez as ‘GO-mez’.
Sherry Paik | Ocula | 2025

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