
‘The drawings are something I’ve carried on over decades, and they form a kind of breathing activity on a daily level...When I looked up the word ‘draw’ in the dictionary, I found that there were twenty-two definitions, one of which was to delineate with lines. The other twenty-one definitions are all dialectic activities, to metamorphose, to translate, to take aim...That’s where I took off from with the idea of drawing...these lines for example, are not lines, they’re edges. In other words it’s material and it’s physical reality, they’re constructions of space with a reasonable analogy to architecture.’
Roni Horn
(From: Art and Architecture (Chinati Symposium, Marfa TX, 1998))
Hauser & Wirth Zürich is pleased to present Wits’ End Sampler | Recent Drawings, an exhibition of large-scale drawings by acclaimed American artist Roni Horn and the unveiling of a new installation.
For Horn, drawing is a primary activity that has been a defining area of her artistic practice since 1980, and the pigment drawings explore recurrent themes of identity, interpretation and textual play. In drawings from the Yet series, Horn has worked powdered pigment, graphite and varnish into a few first phase drawings called plates, which are then cut apart. These pieces are then rearranged and assembled, and may undergo several more cycles of splicing and stitching together before taking their ultimate form. Pencil marks, numbers and words are interspersed between shards of colour as Horn annotates the joining of plates in each drawing.
Wits’ End Sampler is a new installation that will be shown for the first time in Zurich. Idioms and textual play have always been a significant part of Horn’s work. For this project, Horn invited strangers and associates to write out idioms and clichés of their choosing. This eventually accumulated into over 1000 individual phrases all handwritten by the many authors. Walls of the second floor gallery will be silk-screened with these idioms to create a constructed linguistic environment. Wits’ End Sampler is a work where Horn acts as ‘a choreographer of words’, as Gary Indiana has called the artist.
Using drawing, photography, installation, sculpture and literature, Roni Horn’s work consistently questions and generates uncertainty to thwart closure in her work, engaging with many different concerns and materials. Important across her oeuvre is her longstanding interest to the protean nature of identity, meaning, and perception, as well as the notion of doubling; issues which continue to propel Horn’s practice.
Hauser & Wirth was founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, who were joined in 2000 by Partner and Vice President Marc Payot. A family business with a global outlook, Hauser & Wirth has expanded over the past 26 years to include outposts in Hong Kong, London, New York, Los Angeles, Somerset and Gstaad. The gallery represents over 70 artists and estates who have been instrumental in shaping its identity over the past quarter century, and who are the inspiration for Hauser & Wirth’s diverse range of activities that engage with art, education, conservation and sustainability.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services