
This exhibition took place when the gallery was previously known as Choi & Lager.
CHOI&LAGER Gallery is pleased to announce its first exhibition by Andreas Blank in Cologne, Germany.
At first glance, Andreas Blank’s objects seem like rather ordinary everyday objects: a box, a jam jar, a pair of rubber boots, and a wine bottle. At closer inspection, however, we realise that every single object, be it marble, alabaster or sandstone, has been carved by hand. Blank collected the distinctly colored stones from quarries worldwide.
Blank plays tricks with our expectations and perceptions. By treating everyday objects in a traditional and precise manner, he provides the mundane with a monumental status. A white sheet of A4 paper, crumpled in a black frame, modestly occupies a spot on one of the exhibition walls. Upon closer inspection we realise that it is actually carved from white marble and black basalt. From a distance, this work could be viewed as a pun on modernist nihilism, however, up close it reveals a material sensibility that goes beyond a simple juxtaposition of abstraction and reality.
Andreas Blank was born in Ansbach in 1976. He attended the Staatliche Akademie der Bildenden Künste Karlsruhe and was Meisterschüler under Prof. Klingelhöller. He held a scholarship with the German National Academic Foundation and received his MFA from the Royal College of Art in London. In 2009 he was a finalist for the New Sensations Award by Channel 4 and the Saatchi Gallery. Blank lives and works in Ansbach, London and Berlin.

In his sculptural practice, Andreas Blank combines the abstract and the realistic, the conceptual as well as the technical. He sources stones from quarries from all over the world, carves them with elaborate deliberation and assembles them in sometimes consciously stylized, and other times deceptively realistic objects of the everyday. In his precise installations, the apparently ephemeral objects achieve monumental permanence. Whether marble, alabaster, or porphyry, material historically used to serve religious or political functions, has in Blank, his hands acquired a seemingly casual and fragmentary character. The geographical and cultural identity of the stone and the memorial function of stone-sculpture in general refers to the value of each object. Blank questions the obvious and transforms traditional ideals and values on the ordinary and present.

The beginning of the JARILAGER Gallery traces back to 1998 when Jari Lager first opened his artist run space VTO in the East End of London, while also working at the LISSON Gallery, this was followed with the opening of UNION Gallery in 2003 on Union Street at Bankside near the Tate Gallery.

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