
I’m a cosmopolitan. I believe in people, I’m not too sure about countries. I think there should be a thousand countries every day. I like the idea that every moment is a country of its own.
– Samson Kambalu, Art Monthly (2020)
Samson Kambalu‘s second exhibition at Kate MacGarry presents recent flag and photography series, accompanied by three new films exploring national and sovereign identities. The title of the exhibition Beni, is based on a Southern African syncretic dance of the same name developed by African soldiers fighting for the British around the turn of the twentieth century. Beni means ‘band’. The dance is part parody of colonial-style military discipline and industry.
The Flag Factory (2019–2020) is an installation of prints and sewn flags drawn from Kambalu’s childhood memory of collecting bubblegum cards of the flags of the world. The ‘Beni Flag’ series (2020) consists of individual cotton and silk flags hung from bamboo and accompanied by black and white photographs mounted on board. The flags’ graphic appearance is manipulated and dissected using smartphone technology to create images that adopt the ‘look’ of geometric Western abstract painting. Their vibrant colours and bold patterning resonate with African Kuba cloth.
The cardboard cut-out figures are photographs of African soldiers sourced from the Weston Library in Oxford. Kambalu uses cardboard to reference their expendable status by colonial powers in combat.
Kambalu’s often irreverent fusion of social, national and artistic tropes are intentionally mischievous and provocative. His aim is to skew our reading of cultural behaviour and customs and to seek out the areas where humanity meets.
Samson Kambalu was born in 1975 in Malawi. He lives and works in Oxford where he is a lifelong fellow at Oxford University. Kambalu is shortlisted for the Fourth Plinth Commissions, the maquette of his proposed work is on display at The National Gallery, London, May–July 2021. Kambalu’s largest solo exhibition, New Liberia, is at Modern Art Oxford, May–September 2021. Samson Kambalu: Black Jack is an outdoor presentation of remixed flags on Mandela Walk, Southbank Centre, London, until September 2021. An exhibition of Kambalu’s work, Permanent Strike, will be presented at Culturgest, Portugal, 2021. Kambalu is participating in The Athens Biennale 2021.
Kambalu’s work was included in All the World’s Futures curated by Okwui Enwezor, 56th Venice Biennale, Venice, 2015. More recent solo exhibitions include Postcards from the Last Century, PEER, London, 2020; Nyau Western: American Psychogeographicals, Statements, Art Basel, 2017; Nyau Cinema, NSU Art Museum, Fort Lauderdale, USA, 2016–2017; Introduction to Nyau Cinema, Whitechapel Gallery, London, 2016, Capsules, Mountains and Forts, Kate MacGarry, London, 2016. Group exhibitions include History without a Past: Samson Kambalu & Vincent Meessen, Mu.ZEE, Oostende, Belgium, 2020. His first book, an autobiographical narrative entitled, The Jive Talker or How to Get a British Passport, was published in 2008.








Malawi-born contemporary artist, writer, and academic Samson Kambalu playfully explores art as a medium for critical thought and expressions of sovereignty. He is renowned for his ‘Nyau Cinema’ projects and mixed-media conceptual artworks, including his ‘holy’ footballs.
The gallery was founded by Kate MacGarry in 2002 on Redchurch Street, London, where some of its represented artists, including Goshka Macuga (Poland), Francis Upritchard (New Zealand), Ben Rivers (UK) and Dr Lakra (Mexico) had their first commercial gallery exhibition. The current gallery space, originally designed by architect Tony Fretton, is on Old Nichol Street where they present six exhibitions a year. The gallery participates in international art fairs including Art Basel and Frieze London where they have presented solo projects since 2010. The gallery represents 25 emerging and established artists; most recently adding Dawn Ng, Rio Kobayashi and Mark Corfield-Moore to the roster.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services
