
Kerlin Gallery are delighted to announce Window, an exhibition of recent paintings by Merlin James.
Window comprises of works predominantly completed over the last three years, made at James’s studio near the river Clyde in Glasgow. In these paintings James refers to the view of the river, but also to the surrounding buildings and the more interior life of their occupants. While some of the works seem to approach total abstraction, others are very specific in their representation.
This exhibition will coincide with a dedicated room of paintings in Mixing It Up: Painting Today, a survey of contemporary painting curated by Ralph Rogoff at the Hayward Gallery, London (9 September–12 December) and the presentation of larger paintings titled Day and Night at Art Basel (23–26 September).
Selected exhibitions include Hayward Gallery, London, UK (2021); Leeds Art Gallery, UK (2019) travelling to The Levinsky Gallery, University of Plymouth, UK (2020); A-M-G5, Glasgow, UK (2018); OCT Boxes Museum, Shunde & OCT Art and Design Gallery, Shenzhen, China (both 2018); Drill Hall Gallery, Australian National University, Canberra, Australia (2018); CCA Glasgow (2016); Kunstverein Freiburg, Germany (2014); Parasol Unit, London; KW Institute for Contemporary Art, Berlin (both 2013); and Douglas Hyde Gallery, Dublin (2012, 2015). In 2007, James represented Wales at the 52nd Venice Biennale.
Merlin James approaches the history and legacy of painting with a highly considered and unconventional viewpoint. As commented by Artforum’s Sherman Sam, his work “has sought to rigorously problematise the experience of painting while simultaneously deepening its formal language”. Generally small in scale, his works depict diverse subject matter including vernacular architecture, riverside views, post-industrial landscapes, empty interiors, mysterious figures and scenes of sexual intimacy. His frame paintings on gauzy, sheer material treat the structure of the picture frame and stretcher bar as an integral part of the work, while works on canvas might be collaged with tufts of hair or sawdust, distressed, pierced, cropped or heavily overpainted. Also an erudite and thoughtful critic, James has a deep engagement with the history of art and this knowledge shapes and informs his practice. His works refine and renew many of painting’s most time-honoured concerns – genre and narrative, pictorial space and expressive gesture, the emotive resonance of colour and texture.
Kerlin Gallery was founded in Dublin in 1988. It has built an international reputation for its dedicated, meaningful representation of leading contemporary artists through its exhibition, publishing and art fair programmes. Its current site was designed by the minimalist architect John Pawson in 1994 and offers 3,600 square feet of exhibition space over two floors in the heart of Dublin City Centre.

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