Press Release

Perrotin Dubai is pleased to present a debut solo exhibition What Remains by American artist Daniel Arsham. Opening October 30, 2025 and on view through January 10, 2026, this exhibition marks the first solo show since the opening of the Perrotin Dubai gallery. What Remains features several new series from Arsham’s extensive practice, including sculpture, painting and drawing, and a new sound installation, focusing on themes of cultural memory, and the passage of time.

Arsham will transform the gallery into a sonic installation with his latest sculptural series of copper wrapped bonsai tree sculptures. Doubling as functional stereo speakers, these works will play ambient music throughout the exhibition. This new series pays homage to Japanese Zen Buddhist culture and Arsham’s past presentations of sand zen gardens, which he has exhibited around the world at the Lotte Museum, South Korea and the Musée Guimet, France, among others.

Arsham also unveils a new suite of works relating to his recent Labyrinth series. Composed in cast sand, Arsham’s Stairs in a Labyrinth draws influence from artists like M.C. Escher and Renee Magritte’s maze-like works to create a sculptural double portrait. From head-on the work appears as a portrait bust of a sitter, transforming in the profile view into a maze of architectural levels and stairwells. Alongside the sculpture, Arsham presents a stilllife painting of another labyrinth bust and a selection of charcoal prepatory drawings. In this series, Arsham beckons viewers to navigate intricate compositions, suggesting an interplay of layers and pathways reminiscent of archeological sites where the past reveals itself in unexpected ways.

Alongside these new series, Arsham expands his decades-long project of “Fictional Archaeology,” where the artist examines objects from the twentieth century that are containers for collective cultural memory. Cast in his signature materials of geologic crystals and pigmented hydrostone, patinated bronze, and fiberglass, Arsham presents objects like a Rolling Stone magazine eroded with pink quartz crystals, a NY Yankees hat that appears to be emerging out of the architecture of the wall, and a bronze scaled replica of a 1985 DMC Delorean car - immortalized in the film Back to the Future.

Daniel Arsham has spent over twenty years cultivating an artistic universe that challenges conventional perceptions of time and reality. His works often evoke a sense of nostalgia and imaginative exploration, encouraging viewers to reflect on our collective history and the artifacts that shape our cultural identity. Arsham is pleased to bring these works to Dubai for his first solo show in the UAE.

Courtesy Perrotin.

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About the Artist

Daniel Arsham’s uchronic aesthetics revolve around his concept of fictional archaeology. Working in sculpture, architecture, drawing and film, he creates and crystallises ambiguous in-between spaces or situations, and further stages what he refers to as future relics of the present. They are eroded casts of modern artifacts and contemporary human figures, which he expertly makes out of some geological material such as sand, selenite or volcanic ash for them to appear as if they had just been unearthed after being buried for ages. Always iconic, most of the objects that he turns into stone refer to the late 20th century or millennial era, when technological obsolescence unprecedentedly accelerated along with the digital dematerialisation of our world. While the present, the future and the past poetically collide in his haunted yet playful visions between romanticism and pop art, Daniel Arsham also experiments with the timelessness of certain symbols and gestures across cultures.

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Also Exhibiting

Address
Gate Village Building 5
Podium Level
05 Sheikh Zayed Rd
Dubai
United Arab Emirates
Opening Hours
Tuesday – Saturday
1pm – 10pm
(1)
Dubai Gate Village Building 5, Podium Level
Perrotin
Gate Village Building 5, Podium Level, 05 Sheikh Zayed Rd, Dubai, United Arab Emirates

Opening hours
Tuesday – Saturday
1pm – 10pm
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