Press Release

PKM Gallery is pleased to present Models for coexistence, an exhibition of new works by the internationally acclaimed Danish-Icelandic artist Olafur Eliasson, from April 20 to June 20, 2017. This is Eliasson’s fourth solo exhibition to be held at PKM Gallery.

Eliasson grew up in Iceland and Denmark, and studied at the Royal Danish Academy of Fine Arts in Copenhagen. In 1995, he moved to Berlin and founded Studio Olafur Eliasson, which today encompasses some ninety craftsmen, specialised technicians, architects, archivists, administrators, programmers, art historians, and cooks. Eliasson’s unique art practice embraces a scientific outlook as well as intuitive responses; his sensitivity to natural phenomena has been shaped by his many journeys to Iceland.

Eliasson’s The weather project, a striking artificial sun shown in the Turbine Hall at Tate Modern in 2003, received praise from around the world and placed Eliasson in the spotlight of the international art scene. He was subsequently celebrated for the New York City Waterfalls, installed on the shorelines of Manhattan and Brooklyn in 2008, and the 360-degree glass walkway Your rainbow panorama, installed on the rooftop of ARoS Aarhus Art Museum in Denmark in 2011. Ice Watch brought melting icebergs from Greenland to Copenhagen in 2014 and to Paris on the occasion of the COP21 Climate Conference in 2015. In 2012 Eliasson and engineer Frederik Ottesen founded Little Sun, a social business and global project that provides sustainable energy in the form of solar powered lamps and mobile chargers to communities without access to electricity; in 2014 Eliasson and architect Sebastian Behmann founded Studio Other Spaces, an international office for interdisciplinary and experimental building projects and works in public space. Following his solo exhibitions at the Museum of Modern Art, New York, in 2008 and the Martin-Gropius-Bau, Berlin, in 2010, Eliasson was the guest artist in 2016 at the palace of Versailles, where he created a series of spatial interventions inside the palace and in the garden, including an enormous artificial waterfall that cascaded into the Grand Canal. Eliasson’s exhibition The parliament of possibilities at Leeum, Samsung Museum of Art, Seoul, from September 2016 until February of this year, was greatly praised by a large audience.

Repetition, illusion, and geometry feature prominently in the new exhibition by Eliasson at PKM Gallery. Models for coexistence presents a large new sculptural work, The exploration of the centre of the sun, in which light – powered by a solar panel installed in the gallery building’s rooftop garden – is reflected and filtered into a spectrum of colours by panes of colour-effect-filter glass that form an intriguingly asymmetrical polyhedron. These panes of special glass multiply the light countless times, producing a galaxy-like array of shifting stars in a variety of colours that invites the viewer to move around the work and examine it from multiple angles.

The beauty of infinite repetition is also captured in the work Visual mediation, a wall-mounted sculptural work in which a circular arrangement of eighty solid glass spheres – some clear, some covered to different degrees on their inner surface by a coating of reflective silver – produce multiple simultaneous reflections of the viewers and their surroundings that amplify every movement. In Endless doughnut, developed in 2001 together with mathematician Einar Thorsteinn, a steel pipe coils repeatedly around a central void to form an open ring measuring two metres in diameter.

The wall piece Pebbles on the beach (parquet), composed of small tiles of fifteen different types of wood, presents a complex, repeating geometric pattern that produces an illusion of numerous three-dimensional forms tumbling through space. Different forms take precedence depending on the focus of the viewer’s attention—visual play that complicates the viewer’s immediate understanding of the pattern. The key is that certain tiles represent a face of two different forms simultaneously, making it impossible for the viewer to separate them from one another. Observation of this sharing of a single face by multiple forms becomes a direct experience of ‘coexistence’—the subject of this exhibition.

The opening for Olafur Eliasson’s Models of coexistence at PKM Gallery will be held on April 19, 2017. The artist will be present at the gallery for the opening.

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About the Artist

Olafur Eliasson, born in 1967, Copenhagen, Denmark, is currently based in Berlin, where he has established Studio Olafur Eliasson, a laboratory for spatial experiments. His works have been the subject of numerous exhibitions worldwide and he has produced a number of projects in the public sphere, most recently the “New York City Waterfalls” in 2008. Recently, the San Francisco Museum of Modern Art organized his first comprehensive survey in the U.S., “Take your time: Olafur Eliasson,” which along others travelled to the Museum of Modern Art, P.S.1. Contemporary Art Center, New York and continues to MCA Sydney in December.

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Also Exhibiting at PKM Gallery

About the Gallery

PKM Gallery was established in 2001 in Seoul by Park Kyung-mee—an art historian and the commissioner of the Korean Pavilion at the 49th Venice Biennale—with a mission to promote Korean art abroad and to foster conversation between Korean and international contemporary art. With previous locations in Hwa-dong and Cheongdam-dong, the gallery moved to its current space in Samcheong-dong—an artistic and cultural hub in the heart of Seoul—in 2015.

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Seoul 40, Samcheong-ro 7-gil
PKM Gallery
40, Samcheong-ro 7-gil, Jongno-gu, Seoul, South Korea
+ 82 2 734 9467 9
http://www.pkmgallery.com

Opening hours
Tuesday – Saturday
10am – 6pm

Last admission 5:30pm
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