The 58th Venice Biennale, May You Live In Interesting Times (11 May–24 November 2019), certainly benefitted from low expectations, given the lacklustre curatorial of the previous edition, when different segments of the show were conceptually framed with titles like 'Pavilion of Joys and Fears' and 'Pavilion of Colours'. Add to this the...
Hong Kong-based artist Zheng Bo's social, ecological, and community-engaged art practice has, in recent years, focused on moving beyond a human-centred perspective to an all-inclusive, multi-species approach. He takes up marginalised plants and communities of people as subjects in his large-scale interventions, which reintroduce wildness into...
The weather was clement for the annual Auckland Art Fair (2–5 May 2019), which was again at The Cloud on Queens Wharf. This year's edition was a get-together of 41 galleries, mostly from around Auckland and across New Zealand, with 5 spaces hailing from Sydney and the rest from Cook Islands (Bergman Gallery), Hobart (Michael Bugelli Gallery),...
+(1|The world is crumbling and depressing, how can I feel happy about anything.)
It will be like the first warm day after a brutal winter and you greet the sun on your face.
Close my eyes and pretend I don't exist.
I want to "cultivate a sense of privilege."
– I'm That Bitch. I did some cocaine and was worried I kept taking
too much in the rotation.
When I don't work I start to slip away.
– Vaporizer or bong?
-I want to get rid of the interface the phone and just talk without having to dial.
-I forget what else happened, great parties, lots of shrooms, saving one hit for the weekend. I went to this one meeting totally high. It was the perfect use of drugs.
– + question1
– – I hate how someone can just insert themselves into your life.
– + question2
– – It seems like I have to fight for little scraps while everyone else gets the whole world and by everyone else I just mean white people.
buttons ("My horoscope is like bitch CALM DE FUCK DOWN.","Last week I texted My Husband about grabbing lunch or dinner. He didn't respond for about ten minutes then asked 'Do you want to go to Mexico...?'")
Sadie Coles HQ is delighted to present the gallery's first exhibition with Los Angeles-based artist Martine Syms.
Now, Grand Calme is a full body immersion into Sym’s interior world. The artist’s neurotic, chaotic internal narrative is laid bare across the gallery’s four walls in a visual threat map—a digital diagram of potential threats and vulnerabilities in a software system.
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