'A Picture of War is Not War', we read in Hito Steyerl's iconic film November (2004), an essayistic Super 8 film tackling the definition of terrorism constructed around the figure of the artist's best friend Andrea Wolf, who was killed as a terrorist in 1998 in Eastern Anatolia after she joined the PKK (Kurdistan Workers' Party). Mixing documentary...
There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
+(1|The world is crumbling and depressing, how can I feel happy about anything.)
It will be like the first warm day after a brutal winter and you greet the sun on your face.
Close my eyes and pretend I don't exist.
I want to "cultivate a sense of privilege."
– I'm That Bitch. I did some cocaine and was worried I kept taking
too much in the rotation.
When I don't work I start to slip away.
– Vaporizer or bong?
-I want to get rid of the interface the phone and just talk without having to dial.
-I forget what else happened, great parties, lots of shrooms, saving one hit for the weekend. I went to this one meeting totally high. It was the perfect use of drugs.
– + question1
– – I hate how someone can just insert themselves into your life.
– + question2
– – It seems like I have to fight for little scraps while everyone else gets the whole world and by everyone else I just mean white people.
buttons ("My horoscope is like bitch CALM DE FUCK DOWN.","Last week I texted My Husband about grabbing lunch or dinner. He didn't respond for about ten minutes then asked 'Do you want to go to Mexico...?'")
Sadie Coles HQ is delighted to present the gallery's first exhibition with Los Angeles-based artist Martine Syms.
Now, Grand Calme is a full body immersion into Sym’s interior world. The artist’s neurotic, chaotic internal narrative is laid bare across the gallery’s four walls in a visual threat map—a digital diagram of potential threats and vulnerabilities in a software system.
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