JASON PHU

Phu’s multi-disciplinary practice often intertwines a wide range of references, including traditional ink calligraphy, readymade objects, everyday vernacular, ancient folklore, personal narratives and historical events. Working across an array of mediums, Phu often turns to humour to debunk ubiquitous themes such as love, life and death. While the viewer is prompted to ponder these all- encompassing topics, Phu throws them into question by exploring their trivial nature. Using large swaths of colourful imagery and drawing on a number of cultural references, Phu uses his distinct visual language to investigate these nuances within a uniquely Australian context.

Phu’s latest series, the deepest love in the deepest well of despair, weaves together a rich tapestry of cultural references across six canvases, drawing inspiration from diverse mythologies and religious figures. These include the Chinese legend of Hou Yi and the suns, the Greek myth of Narcissus and his reflection, as well as religious figures of Jesus and Buddha. Collectively, the works bring to mind the tradition of Chinese scrolls, which typically portray a single scene across various time periods. Similarly, Phu mirrors this technique through the recurring presence of characters, creating a sense of evolving narrative within each piece.