Bridging almost a century of Brazilian art, Visions of Brazil: Reimagining Modernity from Tarsila to Sonia at Blum & Poe in New York (30 April–22 June 2019), hosted in collaboration with Mendes Wood DM, offers a rereading of Brazilian Modernism through the works of artists practising at different times, from the 20th century through to the...
In 1969, Horikawa Michio, schoolteacher and member of the artist collective GUN (Group Ultra Niigata), filled out the customs paperwork to mail a one-kilogram river stone from Niigata, the proverbial 'backside of Japan', to President Nixon. In return, Horikawa received a thank you note for this 'most unusual Christmas gift'—a muted anti-war...
'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun. For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of abstract...
Sundaram Tagore Singapore is pleased to present new large-scale color photographs from Salt Pans, the latest installment in Edward Burtynsky’s ongoing series of photographs exploring different industrialized landscapes around the world. We are delighted to welcome the artist to Singapore for the exhibition preview.
For this project, Burtynsky traveled to Gujarat, India, to photograph the Little Rann of Kutch, a region that is home to more than 100,000 salt workers extracting around one million tons of salt from the floodwaters of the Arabian Sea each year.
The works on view were shot from a helicopter during an intense ten-day period. The striking geometric images present the pans, wells and vehicle tracks as abstract, painterly patterns: subtly colored rectangles crossed by grids of gestural lines. In recent years, Burtynsky’s photographs have become increasingly abstract as a result of his topographical perspective and fascination with finding similarities to painting in the industrialized landscape.
However, the reality behind these disarmingly beautiful images is a harsh one. Each year thousands of poorly paid Agariya workers toil in the pans to extract large quantities of salt from the floodwaters. Furthermore, receding groundwater levels, combined with debt, diminishing market values as well as a lack of governmental support, threaten the future of this 400-year-old tradition and the lives dependent on it. With these stunning images, Burtynsky skillfully captures the delicate balance between natural and human processes—the presence of salt in the earth’s composition and our need to harness it.
The photographs in this show were recently published in a book titled Edward Burtynsky: Salt Pans by the German publishing house Steidl. Work from this series will be on display alongside a select group of images from another new book Edward Burtynsky: Essential Elements, which examines the artist's work across four decades.
We have sent you an email containing a link to reset your password. Simply click the link and enter your new password to complete this process.
Scan the QR Code via WeChat to follow Ocula's official account.