An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...
Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...
即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
NEW YORK, MARCH 4, 2016—Delhi-based Scottish artist Olivia Fraser presents new work for her debut solo exhibition at Sundaram Tagore Gallery in Chelsea. Fraser, who was born in London and raised in the Highlands of Scotland, has lived and worked in India since 1989. Deeply interested in the techniques and vocabulary of traditional Indian miniatures, she combines mineral and plant pigments and handmade paper with forms and ideas inspired by modern Western art.
The thirty paintings Fraser is presenting in The Sacred Garden are rooted in her fascination with and practice of yoga and the ways in which yogic meditation involves visualizations of the garden, particularly the sahasrara or thousand-petaled lotus, which serves as a visual aid in reaching enlightenment. The title of the show alludes to a concept central to the artist’s practice: “The garden, an enclosed and cultivated area of landscape that’s formalized and acted upon, is fundamental to my work,” she says. “I take the vocabulary of landscape—trees, flowers, rivers, mountains and sky—and I deconstruct and reduce them to their essence.”
Greatly influenced by early nineteenth-century Jodpuri painting, Fraser’s intricate, gem-colored works are infused with historical iconography and archetypal language. As with Blue Himalaya, the majority of her compositions are enclosed in a square format, which is similar to the mandala—a symbolic geometric form that denotes a sacred space. Additionally, as with Awakening, where seven hands run vertically and horizontally forming a grid-like pattern, Fraser often groups her subject matter in numbers of spiritual significance, drawing deeply on India’s artistic and cultural history.
Working in the manner of Indian miniature masters, Fraser sources most of her materials from Jaipur, including traditional wasli paper made with jute from Nepal and pigments hand-ground from stone, plants and earth, which she binds using Arabic gum. Her squirrel-bristle brushes that end in a singular curved hair allow for careful rendering of the most delicate spirals and lines.
Olivia Fraser’s work is included in public and private collections in Australia, France, India, Singapore, the United Arab Emirates, the United States, the United Kingdom and in the Museum of Sacred Art, Septon, Belgium. Her work has been shown in solo exhibitions in India, China and the United Kingdom. Her work was most recently included inForms of Devotion: The Spiritual in Indian Art at Lalit Kala Galleries, Rabindra Bhavan, in New Delhi, and inFrontiers Reimagined, a Collateral Event of the 56th Venice Biennale (www.frontiersreimagined.org).
ABOUT SUNDARAM TAGORE GALLERY
Established in New York City in 2000, Sundaram Tagore Gallery is devoted to examining the exchange of ideas between Western and non-Western cultures. With spaces in New York City (Chelsea and Madison Avenue), Singapore and Hong Kong, we focus on mounting exhibitions and hosting not-for-profit events that encourage spiritual, social and aesthetic dialogues. With alliances across the globe, our interest in cross-cultural exchange extends beyond the visual arts into many other disciplines, including poetry, literature, performance art, film and music.
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