Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .
After structural issues forced The Armory Show into last-minute relocation pirouettes last year, the fair returns between 5 and 8 March 2020 with a flourishing programme, complemented by stand-out shows across New York City.
For her second solo exhibition at Thomas Dane Gallery in London, Ella Kruglyanskaya's compositions signal the many possibilities of paint.
Born London, 1978. Lives and works in London, England.
Text courtesy Thomas Dane Gallery.
The dancing badger is nowhere to be seen. Missing too is the gold and white bird with the tie-dye socks. The install at Mayfair's Thomas Dane Gallery is well under the way. I tip-toe through wet paint and plastic sheeting. We speak over the metallic blast of drills. Maybe the animals of 'The Squash' will join us for the opening party. Anthea...
'I never look very excited,' Anthea Hamilton tells me, fixing me with a withering stare. 'I think that's quite well known. It's just how I am.' We're standing in the middle of Mayfair's Thomas Dane Gallery, mere days before her latest show is due to open.
Anthea Hamilton's first exhibition with Thomas Dane confirms that she has lost none of her powers of disquieting transformation since her Duveens project at the Tate Britain last year. This involved gourd-headed performers lolling and posing in a gridded white tiled terrain dotted with historical sculpture from Tate's collection.
While its premises are refurbished, the holdings of Cambridge's Kettle's Yard – the home-cum-gallery that Jim Ede founded in 1957 as 'a living place where works of art could be enjoyed' – have come to the Hepworth Wakefield. For a portion of its tenure, Anthea Hamilton 're-imagines' the collection as a one-room display.
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