SASKIA COLWELL

The new body of work in Skin on Skin explores themes of voyeurism, intimacy and representation. The interplay between the softness of charcoal and the organic quality of vellum creates a close connection to the human body in images which question norms surrounding female representation and contemporary issues of censorship and agency.

Colwell’s works deliberately blur stylistic, visual, and formal lines, as Hannah Hutchings-Georgiou defines in a newly commissioned essay: ‘Existing at the interstices of the private and the public, the intimate and the distant, the licit and the illicit, the delicate and the crude, the classical and the contemporary, Colwell’s drawings profess innocence even when they are ripe with knowing.Bordering on sculpted exactitude when completed in the softest of chalks and charcoal powder, her work delivers one thing, only to dare us to unwrap, to see, to touch, another’.