Press Release

Xavier Hufkens is delighted to announce a new exhibition by Cathy Wilkes.

Combining the installation work for which she is perhaps best-known with a series of recent paintings and prints, this exhibition presents three complementary facets of Wilkes’s varied artistic practice. For over twenty-five years, the artist has been accumulating materials from everyday life and incorporating them within an on-going and open-ended series of installations. Yet the seeming randomness of the installations belies a precision born of a long and intense creative process, one that often spans months or years.

What sets Cathy Wilkes’s subtle narratives apart, as well as their introspection, is their strong allegorical undertow. Her objects, figures, actions or images show us places of loss and transformation. Within this activity, contemplation, actions and processes slowly move between conscious thought and a private mystical theophany.

Cathy Wilkes (b. 1966, Belfast) lives and works in Glasgow. She represented Scotland at the Venice Biennale in 2005 and participated in the International Exhibition of the Biennale in 2013. She was nominated for the Turner Prize in 2008 and was awarded the inaugural Maria Lassnig Prize in 2017. Wilkes’s work was recently the subject of a touring exhibition that began at Tate Liverpool (2015) and travelled to LENTOS Kunstmuseum, Linz and the Museum Abteiberg, Moenchengladbach (2015–2016). Other solo exhibitions include MoMA PS1, New York (fall 2017); Tramway, Glasgow (2014) and The Renaissance Society, University of Chicago (2012).

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About the Artist

Born and raised in Belfast, Northern Ireland, Cathy Wilkes trained at Glasgow School of Art and is part of the generation of artists who emerged in the mid-1990s. Wilkes is primarily known for her large-scale installations of seemingly disparate objects, many of which are distressed, damaged, altered or adapted.

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Also Exhibiting at Xavier Hufkens

About the Gallery
Xavier Hufkens is one of Europe’s leading galleries for contemporary art. Located in Brussels, the gallery maintains a diverse exhibition programme with solo exhibitions of the gallery artists as well as group exhibitions and special projects. The gallery deals in a distinctive combination of painting, drawing, sculpture, photography, video and installation-based work.

The origins of the gallery date back to 1987, when Xavier Hufkens opened a gallery space in an un-refurbished warehouse in the neighbourhood of the South Station (Midi) in Brussels. During the early years, the focus of the gallery was upon mid-career and emerging artists and the gallery is known for having introduced some of the most influential contemporary artists to Brussels at a time when they were still relatively unknown. British sculptor Antony Gormley, who is still affiliated with the gallery, Felix Gonzalez-Torres and Rosemarie Trockel all showed in Belgium for the first time with Xavier Hufkens (Gormley in 1987; Gonzalez-Torres in 1991 and Trockel in 1993).

In 1992, the gallery moved to a 19th-century townhouse at 6 rue Saint-Georges, close to the Avenue Louise. Completely renovated by Belgian architects Paul Robbrecht, Hilde Daem and Marie-José Van Hee, the house quickly gained a reputation for being not just one of the most beautiful contemporary art spaces in the Belgian capital, but also one of the most interesting. The expanded exhibition programme coincided with the additional representation of a number of established artists from Belgium and abroad, including Richard Artschwager, Thierry De Cordier and Jan Vercruysse. In 1997, Hufkens expanded the gallery further by annexing the adjacent building and a number of new artists joined the gallery, including Louise Bourgeois, Roni Horn and Thomas Houseago.

A second space in the same street, at 107 rue Saint-Georges, opened in spring 2013. Located in the Galerie Rivoli, a mixed-use commercial development from the 1970s, the new gallery space was designed by Swiss architect Harry Gugger, who was previously in partnership with Herzog and De Meuron. Slegten & Toegemann, Brussels, managed the project. A third space opened in spring 2020, located at 44 Rue Van Eyck, designed by architect Bernard Dubois.

An eclectic but very clear vision underpins all of the gallery’s activities: ‘The definition of the gallery was established from the start. The common thread, then and now, is quality over and above everything else, which I find more intellectually challenging than a forced definition. From the early days I juxtaposed established artists such as Michelangelo Pistoletto with someone like Felix Gonzalez-Torres when he was totally unknown. Today I still mix my work: I have no problem showing Malcolm Morley … alongside Robert Ryman, or Willem de Kooning.’ [Xavier Hufkens in The Art Newspaper, Issue 220, January 2011, published online: 20 January 2011]

Xavier Hufkens represents some thirty artists from different generations. He was part of the six-member selection committee for Art Basel during seven years and also participates in up to five international Arts Fairs annually. The gallery has partnerships with the estates of Louise Bourgeois, Willem de Kooning, Robert Mapplethorpe and Alice Neel.
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Xavier Hufkens
6 rue St-Georges, St-Jorisstraat, Brussels, Belgium

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Tuesday – Saturday
11am – 6pm
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