
Cybele Cox’s Pagan Revival invites viewers into an alternative realm—a transformative space where principles of the feminine such as communal values, seduction and spiritual awakening take precedence over class, rationality and misanthropy. Cox’s works envision a radical reimagining of society, celebrating liberation, sexual sovereignty, love, and abundance through an artistic manifesto that merges mysticism with material form. Rooted in a distinct visual language developed over decades, this body of work is defined by its bold colour palettes, radiant glazes, and meticulously sculpted forms. Cox’s sculptural pieces exist as both sacred objects and vessels of social critique, merging otherworldly aesthetics with utopian ideals.
Cybele Cox’s practice explores representations of women in the Western art canon, through motifs drawn from ancient feminine symbols and occult mysticism. Using hand built ceramic totems and figures, painting, drawing and more recently costume, Cox hybridises the human and animal world, fusing symbols from the mythic world with fantasies of a future utopian new world exclusively run by women leaders and Indigenous groups. In doing so, she reconstructs a new belief system from remnants of old ones, discarding the broken, hegemonic narratives and elevating those which were previously underestimated or hidden. For Cox, her works function as a means of entry into imagining a new version of events. They invite viewers to unstick and unstack themselves, and rebuild piece by piece, toward a call for a re-flowering of the spiritual, and ultimately, a new feminist order.
Ames Yavuz embraces its diverse cultural background through a strong international focus and perspective. The gallery’s vision is underpinned by robust curatorial practices that form the core of our program and foster intercultural discourse on a global scale.

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