Amor works across textiles, performance, drawing, sound and experimental electronics to explore the relationship between technology and society, showing a special interest in the interaction between material forms and social discourse. She is particularly interested in how technology affects fabrication systems and how manual labor and handcrafts are changing in a contemporary global economy. Her research is focused on the history of technology, language systems, technological obsolescence, appropriated technologies, handicraft and production systems. Her process is linked to DIY strategies and the Maker movement.
She has been an artist in residency at the Google Arts & Culture, Paris; at Kultur Kontakt, Vienna; and at Bauhaus Dessau, Germany. Her work has been shown at museums, galleries and Biennials such as San Francisco Museum of Modern Art, SFMOMA (USA); MUAC- University Museum Contemporary Art (Mexico); Centre for Heritage, Arts and Textile, CHAT (Hong Kong); The National Art Center, Tokyo (Japan); OK Center (Austria); Havana Biennial (Cuba); Museo de Arte Contemporáneo de Castilla y León (Spain) Laboratorio Arte Alameda (Mexico) and Museum of Contemporary Art Belgrade (Serbia).

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