Being one of Indonesia's most provocative and engaging artists, Entang Wiharso his paintings and installations combine personal, Western and Indonesian mythologies and cast a critical eye on International politics, environmental issues and cultural stereotypes and prejudices.Read More
He is indeed drawing on history and mythology from his home culture of Indonesia, while also responding to Western culture and globalisation since making his second home in Rhode island. In his personal experiences are embedded with a strong examination of the predominant socio-political conditions of his home country Indonesia. To him, creating work is a way of understanding the human condition, of heightening our ability to perceive, feel and understand human problems like love, hate, fanaticism, religion, and ideology.
Recently, an increasing use of written text has entered his works: slogans, signs, philosophy or common phrases are collected from newspapers, political campaigns, quotes from important or influential people or characters from TV or films. Used directly or altered by i.e. changing the punch line, underlying meanings are exposed and add a further component to the complex artistic language of his work. His work shows ambiguous profiles, similar to the forms of giants in the myths of Java, and combines them with contemporary elements. He puts together 'primitivism' with a cartoon’s language of his contemporary life, being able to transport primitivism in his actual reality.
'I depict the condition of humans who are often divided by complex, multilayered political, ethnic, racial, and religious systems: they co-exist yet their communication is limited and indirect. Figures are interconnected by intuitive as well as intellectual linkages, including ornamental vegetation, tongues, tails, intestines, animal skin patterns, fences and detailed landscapes.' Entang Wiharso, 2011
Stay Focus, 2011 is part of a series of wall-mounted reliefs entitled 'Comic Book Series'. These works present a variety of scenarios about the pleasures and pitfalls of power. The eye is a metaphor of awareness - our conscious - always watching, recording and reminding us of flawed choices and their repercussions. Sexuality, possession and desire also play important roles in these works and the fence, which frames the figures, alludes to boundaries which differentiate, exclude and protect.
Entang Wiharso studied Painting at the Fine Art Department of the Indonesian Institute of Arts, Yogyakarta, Indonesia. In 2010 his solo show Love Me or Die took place at the Galeri Nasional Indonesia as well as following group shows: Rainbow Asia at the Hangaram Art Museum, Seoul Arts Center, Seoul, Korea, The Grass Looks Greener Where You Water It at Art Paris Guest, Grand Palais-Champs Elysees, Paris, France, Contemporaneity-Indonesian Contemporary Art at the Museum of Contemporary Art, Shanghai, China, Bergamo, Italy and at the Prague Biennale 4, Prague, Czech Republic.
The Possibility of an Island at Cromwell Place brings together works by artists from across Southeast Asia.Read More Ocula News NTU Auctioning Works by Entang Wiharso, Heman Chong and More Singapore, 19 August 2020
The online auction aims to raise funds for the struggling art centre, which is ending its exhibition and residency programmes.Read More Ocula Feature Art Jakarta Drops Anchor in a Stormy Southeast Asian Art Market By Sam Gaskin, Jakarta
A successful 11th edition of Art Jakarta took place between 30 August and 1 September 2019, following its rebranding with automotive executive turned art collector Tom Tandio as fair director.Read More Ocula Feature A Change of Scene: Art Stage Singapore 2018 By Diana d'Arenberg, Singapore
The fair was, in its initial years, seen as Singapore’s answer to Art Basel, but with a distinct regional flavour—fast forward to 2018 and much has changed.Read More