Ocula Conversation transmediale Artistic Director Kristoffer Gansing Looks Back Terence Sharpe, Berlin Since 2012, Kristoffer Gansing has worked as the artistic director of transmediale—a festival at the forefront of digital media and culture that analyses the current moment through self-reflection and anticipation of rapidly oscillating futures. Explorations into moving image, online culture, and the socio-political landscape of digital...
Ocula Report Taipei Lowdown: Shows to See Tessa Moldan, Taipei As Taipei Dangdai returns for its second edition between 17 and 19 January 2020 at the Nangang Exhibition Center, a selection of exhibitions across the city confirm Taipei as one of the region's most exciting art hubs. Yahon Chang: Cursive OUR Museum, National Taiwan University of Arts (NTUA), No. 59, Section 1, Daguan Road, Banqiao...
Ocula Insight Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Phoebe Blatton, Berlin Lada Nakonechna's solo exhibition, Images from abroad at Galerie EIGEN + ART (9 January–20 February 2020) ostensibly takes place on an end wall of the gallery. The wall bears markings hand-drawn in graphite that evoke shadows once cast by pictures, since removed, their fixtures also left in situ. Serving as a framework of variable...
Characterised by vibrantly coloured geometric shapes and plays on perspective, Farah Atassi's paintings create imaginary yet inhabited spaces that, by means of their visual trickery, confusing depth and imminence, are impossible to fully grasp. The artist employs two main, methodological building blocks: a meticulous collection of images and a masking tape grid laid out in order to systematise the patterns produced within the abandoned interiors or scenes akin to still lifes she depicts. Situated on the fringes of narration, her paintings mix textile patterns and motley mosaics, referencing Modernism and Folk Art in equal measure. In the artist's own words what we are dealing with are 'figurative paintings that depict abstraction'.
