Ocula MagazineContentsView All
Featured ContentView All
Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

Fade out copy.
Read More
Wong Ping: Hong Kong Fables Ocula Conversation Wong Ping: Hong Kong Fables

There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...

Fade out copy.
Read More
Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

Fade out copy.
Read More

Hajime Sorayama

Japan

Sorayama graduated from Chubi Central Art School in Tokyo in 1969 and first spent some time working with an advertising company. Since 1972 when he became a freelance, he has been a legendary artist armed with his astounding reali metallicity stic techniques. His works of female images, pursuing of robot and eroticism are well known both inside and outside of Japan. This reputation was initially established in 1978 with the work series entitled Sexy Robot, which shocked people throughout the world for his artful depictions of sensual metallic qualities and reflected light. In 1999, he won both the Good Design Grand Prize from the Ministry of Trade and Industry, and the Media Arts Festival Grand Prize from the Agency from Cultural Affairs for his work with Sony on the concept design for their entertainment robot AIBO. In 2001, Sorayama received another prize for this invention, this time from the Asahi newspaper, and in this same year the 1st generation AIBO was added to the permanent collections of the Smithsonian Institute and the Museum of Modern Art. As if that weren´t enough, the internationally famous rock band Aerosmith collaborated with Sorayama on the artwork for the cover of their 2001 album Just Push Play.

Sorayama comments that he hates the word of "art", and he puts himself in the same line with the pioneers of American pin-up illustrators such as George Brown Petty, Gil Elvgren, and Alberto Vargas. "There is no stories in my pictures. The models exist on their own, in a self-determined state of completion. Therefore, I think my work still belongs to the paradigm of pin-up art." - Hajime Sorayama It may be different depending on each person how to associate Sorayama´s image as an artist. If his artisan spirit that seeks to perfect his craft and career is considered, he´s categorized as an illustrator. On the other hand, if he is considered as a pioneer of airbrush technique, a charisma of his robot paintings and of nude portraits, we have a more expansive view of his image. The global art scene is still now continuing to explore the possibilities. 21st century modern art has taken up the challenge of uncovering the relation between art and design, commodities and art, and daily life and beauty. A clear answer has yet to be found, but the existence of Sorayama could possibly provide one of the answers.

Fade out copy.
Read More

In Related Press

Kaleidoscope magazine presents Asia issue Related Press Kaleidoscope magazine presents Asia issue Kaleidoscope magazine : 12 February 2015

Under the visionary art direction of acclaimed Munich-based Bureau Mirko Borsche, the magazine combines its defining curatorial and interdisciplinary approach with an emphasis on the power of images and a keen attention to the update, as best epitomized by new cover tagline: Visual Culture Now.

Fade out copy.
Read More

Sign up to be notified when new artworks and exhibitions by Hajime Sorayama are added to Ocula.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

Scan to follow Ocula on WeChat.
iCal GoogleYahooOutlook