Jakkai Siributr (b. 1969, Bangkok) is one of Southeast Asia’s leading contemporary artists, known for his intricately handmade tapestries, quilts, and large-scale textile installations that address social, political, and religious themes in Thailand and beyond. His work spans personal narratives of grief and remembrance, the politics of displacement, and the intersection of Buddhism and materialism in modern Thai life. Siributr lives and works between Bangkok and Chiang Mai, Thailand, and his work has been represented by Flowers Gallery.
Jakkai Siributr was born in 1969 in Bangkok, Thailand. At the age of 15, he received a scholarship to attend The United World College in New Mexico, United States, where his interest in art developed under the encouragement of a teacher who prioritised individual style over technical draughtsmanship.
Siributr went on to earn a BA in Textile/Fine Arts from Indiana University, Bloomington, in 1992, followed by an M.S. in Printed Textile Design from Philadelphia University in 1996 . He returned to Bangkok in 1996 to teach at Thammasat University, where he helped build its new fashion and textile department, lecturing there until 2006. He maintains studios in both Bangkok and Chiang Mai.
Jakkai Siributr’s artworks combine textile craft traditions with contemporary art practice, translating Thai social realities into works that move between personal testimony and collective historical record.
Siributr’s first solo exhibition, Jakkai On Line, was held in Bangkok in 1998, inaugurating a series of annual exhibitions in the Thai capital. His early practice focused on abstract textile pieces and representational paintings, as he explored how to merge fine art with textile craft. Political upheaval in Thailand during 2007—2008 proved a turning point; Siributr began creating textile installations that made direct social and political statements, leading to exhibitions at Tyler Rollins Fine Art in New York, including Temple Fair (2008) and Karma Cash & Carry (2010).
From the 2010s, Siributr developed large-scale, immersive installations addressing themes of displacement, ethnic identity, and religious friction. His 2017 solo exhibition Displaced: The Politics of Ethnicity and Religion in the Art of Jakkai Siributr at Bangkok Art and Culture Centre was a landmark survey of these concerns. During the COVID-19 pandemic, he created the Outworn and Airborne series—tapestries assembled from disused tourism-industry uniforms, adorned with Buddhist symbols, beads, and artificial marigold flowers. He also initiated the Phayao-à-Porter project, commissioning one-of-a-kind jackets to support studio assistants and women artisans in northern Thailand’s Phayao province who had been economically affected by lockdowns.
Siributr’s ongoing collaborative project There’s no Place brings together embroidered works made with the community of Koung Jor Shan Refugee Camp, exploring ideas of home and belonging. The project was shown at the Whitworth Art Gallery, Manchester, in 2024, and featured as an Official Collateral Event of the Bangkok Art Biennale at the 2024 Venice Biennale. His Matrilineal series (2023) draws on personal narratives of family and grief, incorporating his late mother’s clothing into embroidered works that speak to healing through handcraft. In 2025, Siributr’s work was included in All Directions: Art That Moves You, the inaugural exhibition of FENIX museum in Rotterdam, the Netherlands, as well as the 2025 Setouchi Triennale in Japan.
Jakkai Siributr’s artworks are held in prominent public collections worldwide, including:
Jakkai Siributr has exhibited extensively across Asia, Europe, and the Americas, with presentations at major biennials, museums, and contemporary art galleries.
Jakkai Siributr is a Thai contemporary artist born in 1969 in Bangkok, widely recognised as one of Southeast Asia’s leading textile artists, known for handmade tapestries, quilts, and large-scale installations addressing social and political themes.
Jakkai Siributr creates intricate textile-based artworks—including hand-stitched tapestries, embroidered quilts, and immersive installations—that draw on materials such as uniforms, clothing, and domestic fabrics to address themes of displacement, grief, Buddhism, and Thai political history.
Jakkai Siributr studied at The United World College in New Mexico before earning a BA in Textile/Fine Arts from Indiana University, Bloomington (1992), and an M.S. in Printed Textile Design from Philadelphia University (1996) in the United States.
Jakkai Siributr lives and works between Bangkok and Chiang Mai, Thailand, maintaining active studios in both cities, and is represented internationally by Flowers Gallery.
Jakkai Siributr’s most notable exhibitions include There’s no Place at the Whitworth Art Gallery, Manchester (2024); Displaced at Bangkok Art and Culture Centre (2017); participation in the 15th Gwangju Biennale (2024); and Garmenting at the Museum of Arts and Design, New York (2022).
Jakkai Siributr received the Silpathorn Award in 2024, Thailand’s prestigious recognition for contemporary artists, as well as the Fondation La Roche Jacquelin award (2013) and a Rockefeller Foundation Bellagio Grant (2001).
Jakkai Siributr’s art explores the interaction between Buddhism and materialism in modern Thai life, political instability, displacement of refugees and ethnic minorities, personal grief and healing, and the social impact of the COVID-19 pandemic on vulnerable communities.
Jakkai Siributr’s work is held in public collections including the Asian Art Museum of San Francisco, QAGOMA in Brisbane, the Asian Civilisations Museum in Singapore, FENIX in Rotterdam, and the Bill and Melinda Gates Foundation in Seattle, as well as being shown regularly through Flowers Gallery.
Ocula | 2026

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