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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Browse Artworks

The Book of the 100 Perfects by James Lee Byars contemporary artwork James Lee ByarsThe Book of the 100 Perfects, 1986 Black velvet, paper
24 x 23 x 23 cm
KEWENIG
The Spinning Oracle of Delfi by James Lee Byars contemporary artwork James Lee ByarsThe Spinning Oracle of Delfi, 1986 Amphora, leaf-gilt
195 x 195 x 320 cm
KEWENIG
The Touched Sphere by James Lee Byars contemporary artwork James Lee ByarsThe Touched Sphere, 1988 Marble
40 x 40 x 40 cm
KEWENIG
The Poetic Conceit by James Lee Byars contemporary artwork James Lee ByarsThe Poetic Conceit, 1983 Silk curtain, reproduction of the painting 'Goethe in der Campagna' (1787), by Johann Heinrich Wilhelm Tischbein, china plate
330 x 540 x 95 cm
KEWENIG
The Chair of Transformation by James Lee Byars contemporary artwork James Lee ByarsThe Chair of Transformation, 1989 17th century antique chair, red silk tent
300 x 300 x 300 cm
KEWENIG
The Moon Books by James Lee Byars contemporary artwork James Lee ByarsThe Moon Books, 1989 Table (wooden plate), marble, gilded, 16 pieces
KEWENIG
The Dagger by James Lee Byars contemporary artwork James Lee ByarsThe Dagger, 1989 Antique bronze dagger from the North of Iran
40 x 5 x 15 cm
KEWENIG
Red Circle by James Lee Byars contemporary artwork James Lee ByarsRed Circle, 1980 Gold Ink on Japanese Silk Paper
63 x 63 cm
de Sarthe
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