Jeffrey Gibson’s paintings and sculptures are inspired by the traditional craft and modern arts of Native American cultures. His sense of pride and desire to reclaim ownership of these histories counter the potentially negative connotations of craft that have been placed onto Native American Art, situating his work within the pantheon of abstract modernism.Read More
Jeffrey Gibson attended The Art Institute of Chicago (BFA) and The Royal College of Art, UK (MA). He is half-Cherokee, a member of The Mississippi Band of Choctaw Indians, and was raised in the United States, Germany, and South Korea. Gibson's artworks are in the permanent collections of many major art museums, including the Museum of Fine Arts, Boston, the Smithsonian's National Museum of the American Indian, and the Denver Art Museum. In 2013 he had one-person exhibitions at The ICA Boston, National Academy Museum NYC, and the Rollins Museum. In 2014 he will have a one-person exhibit at The Denver Museum of Art.
Members of The Art Dealers Association of America (ADAA) joined forces for The Art Show at the end of February (27 February–1 March 2020). The 2020 iteration saw more than half of its presentations dedicated to a single artist and 19 exhibitions focused on female artists, in addition to vibrant thematic and group surveys.
The Armory Show returns with a flourishing programme, complemented by stand-out shows across Ne.
The 2019 Whitney Biennial, is driven by a collective sentiment of sociopolitical consciousness, writes Banyi Huang in this reflection on the 79th instalment of the longest-running survey of American art.
In 2018, artists and curators across the United States have been crafting brilliant exhibitions across the US, exploring themes of identity and community in innovative ways. Ebony G. Patterson made a maximalist tribute to victims of violence in her home country of Jamaica, while Joel Otterson crafted work recalling his parents' professions as a...
The past sometimes acts as a trap for contemporary Native American artists. Critics, myself included, will anticipate the readers’ questions by discussing a material or pattern in terms of its ties to a tradition, preventing the artwork from taking the lead. Jeffrey Gibson brilliantly bobs and weaves through these pitfalls to assert his own...