
For the 2025 Facade Commission, Jeffrey Gibson (born 1972, Colorado Springs, Colorado), a member of the Mississippi Band of Choctaw Indians and of Cherokee descent, will create four figurative sculptures—works that he refers to as ancestral spirit figures.
Gibson’s project for The Met’s Fifth Avenue facade will be the sixth in a series of commissions for the historic exterior. The artist’s new works for the niches will draw upon his longstanding and highly developed iconography, one built upon a dynamic visual language that fuses Indigenous identity and imagery with abstraction, patterning, materiality, and text.
An interdisciplinary artist who grew up in the United States, Germany, and Korea, Gibson’s expansive body of work ranges from hard-edged abstract works to a rich practice of performance and filmmaking to significant work as artist convener and curator. Since the 2000s, Gibson’s work—which incorporates Indigenous identity and imagery—has consistently reimagined new possibilities for abstraction, the use of text, and queer culture, interconnecting these formal and conceptual interests. Notably, Gibson’s work has introduced a broad range of recurring Indigenous sources, material elements, and imagery while regularly offering a critique of the reductive ways in which Indigenous culture has been historically flattened and misappropriated.
The exhibition is made possible in part by Oscar L. Tang and H.M. Agnes Hsu-Tang, Sarah Arison, and Helen Lee-Warren and David Warren.
In 2024, Jeffrey Gibson became the first Indigenous artist to represent the United States with a solo exhibition at the Venice Biennale. Drawing on his Cherokee and Choctaw heritage, Gibson fuses pop culture, queer iconography, commercial objects, and Indigenous motifs to examine identity and cultural hybridity. His works frequently transform everyday items—such as punching bags—through the formal languages of modernism, recontextualising familiar forms to challenge the boundaries of modern art. This approach, combined with intricate beadwork and vibrant references to both tradition and contemporary culture, allows Gibson to offer a powerful reflection on individual and collective narratives in a global context.




The Metropolitan Museum of Art (The Met) is one of the world’s most well-loved landmark museums located on Fifth Avenue along Central Park’s Museum Mile in Manhattan, New York. Renowned for its monumental Beaux-Arts architecture and encyclopedic collection, it also presents an exceptional showing of contemporary art.

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