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Almine Rech-Picasso Goes Global Ocula Conversation Almine Rech-Picasso Goes Global

French gallerist Almine Rech-Picasso opened her first space in Asia on Shanghai's historic Bund in July this year, bringing her eponymous gallery's total locations to five. The Shanghai gallery occupies roughly 4,000 square feet on the second floor of the three-storey Amber Building, a beautiful warehouse space, originally occupied by the Central...

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From the Gallery to the Streets: Home Works 8 in Beirut Ocula Report From the Gallery to the Streets: Home Works 8 in Beirut 8 Nov 2019 : Nat Muller for Ocula

There's an inside joke amongst the team of Ashkal Alwan, The Lebanese Association for Plastic Arts: that every time an edition of its biennial forum on cultural practices is planned, a national crisis happens. The eighth edition of Home Works was no different: it opened on 17 October amidst the most devastating wildfires that Lebanon had witnessed...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
Sponsored Content | Mazzoleni Gallery
Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Jiang Pengyi

b. 1977, China

Jiang Pengyi’s works include: All Back to Dust, Luminant, Unregistered City, The Private Goods Belonged to Somebody, and other series. The artist uses computer technology to reduce the photos of real urban landscapes, places them in run-down scenes of demolition areas around cities, creates a new visual effect, and awaken all emotions experienced by people in the process of rapid urbanization, gives a sense of broken, confusion and fear, while his works continue to explore the social identity issue of individuals under global landscape.

Featured Artworks

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Bliss No.1 绽放 No.1 by Jiang Pengyi contemporary artwork
Jiang PengyiBliss No.1 绽放 No.1, 2018 Archival inkjet print, mounted on aluminium panel, toughened acrylic
178.6 x 140 cm
ShanghART
Foresight No.22 预见 No.22 by Jiang Pengyi contemporary artwork
Jiang PengyiForesight No.22 预见 No.22, 2019 8x10 inches Polaroid Instant Film
32.5 x 21.4 cm
ShanghART
Foresight No.21 预见 No.21 by Jiang Pengyi contemporary artwork
Jiang PengyiForesight No.21 预见 No.21, 2019 8x10 inches Polaroid Instant Film,
32.5 x 21.4 cm
ShanghART
Foresight No.13 by Jiang Pengyi contemporary artwork
Jiang PengyiForesight No.13, 2017–2018 Archival inkjet print, mounted on aluminium panel, toughened acrylic
188 x 150 cm
ShanghART
Polaroid Film No.5 by Jiang Pengyi contemporary artwork
Jiang PengyiPolaroid Film No.5, 2014 Polaroid
10.8 x 8.5 cm
ShanghART
Polaroid Film No.4 by Jiang Pengyi contemporary artwork
Jiang PengyiPolaroid Film No.4, 2014 Polaroid
10.8 x 8.5 cm
ShanghART
Foresight No.16 预见 No. 16 by Jiang Pengyi contemporary artwork
Jiang PengyiForesight No.16 预见 No. 16, 2017-2018 Archival inkjet print, mounted on aluminium panel, toughened acrylic
185 x 150 x 5.5 cm
ShanghART

Recent Exhibitions

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Contemporary art exhibition, Jiang Pengyi, Foresight 预见 at ShanghART, Beijing
Closed
18 May–6 July 2019 Jiang Pengyi Foresight 预见 ShanghART, Beijing
Contemporary art exhibition, Group Exhibition, White Flash at ShanghART, Beijing
Closed
5–31 August 2018 Group Exhibition White Flash ShanghART, Beijing
Contemporary art exhibition, Jiang Pengyi, Grace at ShanghART, Shanghai
Closed
10 September–23 October 2016 Jiang Pengyi Grace ShanghART, M50, Shanghai

Represented By

In Related Press

'The Dynamics': Chinese multimedia art at ShanghART in Singapore Related Press 'The Dynamics': Chinese multimedia art at ShanghART in Singapore Art Radar Journal : 16 November 2016

Mention new media art, and the first things which might come to mind are a sense of ephemerality and insubstantiality – the evanescence of artworks which exist, in some sense, as particular arrangements of bits. Not so with The Dynamics, a largely new media-based group exhibition at Singapore’s ShanghART gallery, which places some...

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