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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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Wong Ping: Hong Kong Fables Ocula Conversation Wong Ping: Hong Kong Fables

There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Jiang Pengyi

b. 1977, China

Jiang Pengyi’s works include: All Back to Dust, Luminant, Unregistered City, The Private Goods Belonged to Somebody, and other series. The artist uses computer technology to reduce the photos of real urban landscapes, places them in run-down scenes of demolition areas around cities, creates a new visual effect, and awaken all emotions experienced by people in the process of rapid urbanization, gives a sense of broken, confusion and fear, while his works continue to explore the social identity issue of individuals under global landscape.

Featured Artworks

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Foresight No.13 by Jiang Pengyi contemporary artwork
Jiang PengyiForesight No.13, 2017–2018 Archival inkjet print, mounted on aluminium panel, toughened acrylic
188 x 150 cm
ShanghART
Polaroid Film No.5 by Jiang Pengyi contemporary artwork
Jiang PengyiPolaroid Film No.5, 2014 Polaroid
10.8 x 8.5 cm
ShanghART
Polaroid Film No.4 by Jiang Pengyi contemporary artwork
Jiang PengyiPolaroid Film No.4, 2014 Polaroid
10.8 x 8.5 cm
ShanghART
Foresight No.16 预见 No. 16 by Jiang Pengyi contemporary artwork
Jiang PengyiForesight No.16 预见 No. 16, 2017-2018 Archival inkjet print, mounted on aluminium panel, toughened acrylic
185 x 150 x 5.5 cm
ShanghART
Foresight No.13 预见 No. 13 by Jiang Pengyi contemporary artwork
Jiang PengyiForesight No.13 预见 No. 13, 2017-2018 Archival inkjet print, mounted on aluminium panel, toughened acrylic
190 x 150 x 5.5 cm
ShanghART
Foresight No.17 预见 No. 17 by Jiang Pengyi contemporary artwork
Jiang PengyiForesight No.17 预见 No. 17, 2017-2018 Archival inkjet print, mounted on aluminium panel, toughened acrylic
185 x 150 x 5.5 cm
ShanghART
Foresight No.18  预见 No. 18 by Jiang Pengyi contemporary artwork
Jiang PengyiForesight No.18 预见 No. 18, 2017-2018 Archival inkjet print, mounted on aluminium panel, toughened acrylic
100 x 80 x 5.5 cm
ShanghART

Recent Exhibitions

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Contemporary art exhibition, Jiang Pengyi, Foresight 预见 at ShanghART, Beijing
Closed
18 May–6 July 2019 Jiang Pengyi Foresight 预见 ShanghART, Beijing
Contemporary art exhibition, Group Exhibition, White Flash at ShanghART, Beijing
Closed
5–31 August 2018 Group Exhibition White Flash ShanghART, Beijing
Contemporary art exhibition, Jiang Pengyi, Grace at ShanghART, Shanghai
Closed
10 September–23 October 2016 Jiang Pengyi Grace ShanghART, M50, Shanghai

Represented By

In Related Press

'The Dynamics': Chinese multimedia art at ShanghART in Singapore Related Press 'The Dynamics': Chinese multimedia art at ShanghART in Singapore Art Radar Journal : 16 November 2016

Mention new media art, and the first things which might come to mind are a sense of ephemerality and insubstantiality – the evanescence of artworks which exist, in some sense, as particular arrangements of bits. Not so with The Dynamics, a largely new media-based group exhibition at Singapore’s ShanghART gallery, which places some...

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