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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Jiang Pengyi

b. 1977, China

Jiang Pengyi’s works include: All Back to Dust, Luminant, Unregistered City, The Private Goods Belonged to Somebody, and other series. The artist uses computer technology to reduce the photos of real urban landscapes, places them in run-down scenes of demolition areas around cities, creates a new visual effect, and awaken all emotions experienced by people in the process of rapid urbanization, gives a sense of broken, confusion and fear, while his works continue to explore the social identity issue of individuals under global landscape.

Featured Artworks

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预见 No.9 Foresight No.9 by Jiang Pengyi contemporary artwork Jiang Pengyi预见 No.9 Foresight No.9, 2017-2018 Colour chromogenic print
185 x 150 x 5.5 cm
ShanghART
Medium No.19 导体 No.19 by Jiang Pengyi contemporary artwork Jiang PengyiMedium No.19 导体 No.19, 2018 8×10 Polaroid Emulsion Lift, Acid-free Paper, G18k Nail
36 x 30 x 7 cm
ShanghART
Intimacy No.4 亲密 No.4 by Jiang Pengyi contemporary artwork Jiang PengyiIntimacy No.4 亲密 No.4, 2014 Archival inkjet print, mounted on aluminium panel and acrylic glass
188.5 x 148.5 cm
ShanghART
Duty No.4 (义务 No.4) by Jiang Pengyi contemporary artwork Jiang PengyiDuty No.4 (义务 No.4), 2017 收藏级喷墨打印 Archival inkjet print
188.5 x 148.5 x 5 cm
ShanghART
Trace No.32 by Jiang Pengyi contemporary artwork Jiang PengyiTrace No.32, 2016 Emulsion Lift
48 x 42 x 8 cm
ShanghART
Trace No.14 by Jiang Pengyi contemporary artwork Jiang PengyiTrace No.14, 2016 Polaroid, 8 x 10 inches, instant film
28 x 22 x 3.8 cm
ShanghART
Trace No.13 by Jiang Pengyi contemporary artwork Jiang PengyiTrace No.13, 2016 Polaroid, 8x10 inches, instant film
28 x 22 x 3.8 cm
ShanghART
Trace No.12 by Jiang Pengyi contemporary artwork Jiang PengyiTrace No.12, 2016 Polaroid, 8x10 inches, instant film
28 x 22 x 3.8 cm
ShanghART

Current & Recent Exhibitions

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Contemporary art exhibition, Jiang Pengyi, Foresight at ShanghART, Beijing
Upcoming
18 May–6 July 2019 Jiang Pengyi Foresight ShanghART, Beijing
Contemporary art exhibition, Group Exhibition, White Flash at ShanghART, Beijing
Closed
5–31 August 2018 Group Exhibition White Flash ShanghART, Beijing
Contemporary art exhibition, Jiang Pengyi, Grace at ShanghART, Shanghai
Closed
10 September–23 October 2016 Jiang Pengyi Grace ShanghART, M50, Shanghai

Represented By

In Related Press

'The Dynamics': Chinese multimedia art at ShanghART in Singapore Related Press 'The Dynamics': Chinese multimedia art at ShanghART in Singapore Art Radar Journal : 16 November 2016

Mention new media art, and the first things which might come to mind are a sense of ephemerality and insubstantiality – the evanescence of artworks which exist, in some sense, as particular arrangements of bits. Not so with The Dynamics, a largely new media-based group exhibition at Singapore’s ShanghART gallery, which places some...

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