JOHN REYNOLDS

Reynolds is also recognised for the diversity of his practice and ability to work in a variety of scenes such as - architecture (with Nicolas Stevens), fashion (with Workshop, World and Karen Walker), music and publishing (record, book and magazine covers) and television (Questions for Mr Reynolds documentary with Shirley Horrocks and Works End with Chris Knox for Art Land).

Solo shows include: Untitled (Catastrophes...), PGgallery129, Christchurch, NZ (2023), APOCALYPSEoCLOCK, Starkwhite, Auckland, NZ (2022); SLEEPwalking..., Starkwhite, Queenstown, NZ (2022); Smoke and Mirrors, The Wallace Arts Centre, Pah Homestead, Auckland (2022); Thoughts & Prayers, McLeavey Gallery (2021); The Violet Hour, 2019, a large-scale site-specific window work commissioned by the Auckland Art Gallery Toi o Tamaki; the falls, 2019, a 23m-long site-specific wall work, commissioned by the Dunedin Public Art Gallery; McCahon’s Missing Hours, a solo exhibition presented by Starkwhite at the Auckland Art Fair, 2019; FrenchBayDarkly... Starkwhite (2017); WalkWithMe... Starkwhite (2016); Manifesto, Tauranga Art Gallery (2015); Epistamadolgies, Auckland Art Gallery (2015); Blutopia, Starkwhite (2014); Vagabondage, Starkwhite (2013); The Art of War, ART HK, the international art fair of Hong Kong (2010); NOMADOLOGY [loitering with intent], Govett-Brewster Art Gallery (2010); 1001 Nights, The Amory Show, New York (2010); Table of Dynasties, ART HK, the international art fair of Hong Kong (2009); John Reynolds: Under Milk Wood by Dylan Thomas, a collaboration between the artist and actor/director Geraldine Brophy, Christchurch Art Gallery (2008); Speaking Truth to Power, Gus Fisher Gallery, Auckland University (2007); HEVN: NOT TO SCALE, curated by Sophie McIntyre, Adam Gallery Victoria University, Wellington (2002): and From K Road to Kingdom Come, curated by Gregory Burke and Robert Leonard, Govett-Brewster Art Gallery, New Plymouth (2001).

Representation in recent group exhibitions include: Extra Floral, McLeavey Gallery, Wellington (2023); Performative Geographies, Starkwhite, Auckland (2020); Enveloping Scales, Gow Langsford Gallery, Auckland, NZ (2019); Flight Plan, Auckland Art Gallery Toi o Tāmaki (2018-19); Children of Mallarmé: Fashion, Art & Collaboration, Tauranga Art Gallery (2018); ANZAC Centenary Print Portfolio, Parliament House, Canberra (2016); Julian Dashper & Friends, curated by Robert Leonard, City Gallery Wellington (2015); Implicated and Immune, Michael Lett, Auckland (2015); Lines across the ocean, MOCA, Santiago (2013); Kermadec, Maritime Museum, Auckland & City Gallery Wellington (2012); One Hand Read, presented in a three-person show at Art Los Angeles Contemporary, the international art fair of Los Angeles (2010); Dorothy Napangardi / John Reynolds, curated by Robert Leonard, Institute of Modern Art, Brisbane (2009); Walters Prize Exhibition, Auckland Art Gallery (2008); Zones of Conflict, 15th Biennale of Sydney (his work Cloud was commissioned for the entrance hall of the Art Gallery of New South Wales), curated by Charles Merewether (2006); 54321: Auckland Artists Projects, curated by Ngahiraka Mason, Auckland Art Gallery (2006); and Nine Lives: The Chartwell Collection, curated by Robert Leonard, Auckland Art Gallery (2003).

Reynolds is the recipient of a Laureate Award from the Arts Foundation of New Zealand and a member of the Govett-Brewster Art Gallery Foundation. He has also been a finalist in New Zealand’s prestigious Walters Prize Award and exhibition at the Auckland Art Gallery Toi o Tamaki in 2002 and 2008.

Courtesy Starkwhite