Josiane M.H. Pozi Biography

Josiane M.H. Pozi is a filmmaker and visual artist, creating lo-fi video works presenting vignettes of the mundanity of everyday Black English life yet also depicting emotional connection, whether that’s between Pozi and her father, or with the friends and other family members who star in her works.

Early Years

Josiane M.H. Pozi was born in London in 1998 and by the time she gained her BA in Fine Art from Goldsmiths, her work had already featured in a solo exhibition in New York City. Growing up in an on-screen world, her artistic practice presents a first-person perspective on ordinary situations.

Josiane M.H. Pozi: Artworks

Speaking in 2021, Pozi described her approach to making videos as “the most selfish thing”, capturing emotion in a limited timeframe rather than creating a moving image in a particular style. Referencing the concept that capitalism encourages people to abandon their own personal creativity in favour of maintaining financial and social capital, she explained that she considered success to be the opportunity to create her own ideas.

  • Pozi’s 2019 video Pingey switches between scenes of home life—including her on the sofa alongside her father (both smoking), as she sing David Bowie’s Life on Mars (1971)—and being at college, contrasting interactions with students with what initially seems to be domestic peace. (Incidentally, Pingey is a sadly deceased pot plant.)
  • In the 2025 exhibition United Kingdom London, Portrait OAYG, Pozi displayed five videos of still lifes of a domestic space alongside two abstract oil paintings, Me from Above (2025) and Me in My Room (2025). The poster for the exhibition was a “paint by numbers” version of her own face
  • In Pursuit of Feeling (2026) at the American Academy of Arts and Letters in New York City re-presented some of her videos in new formats, including scaled-down versions of living-room furniture supporting iPhones playing Pingey (2019).

Josiane M.H. Pozi: Exhibitions

Select solo exhibitions

  • In Pursuit of Feeling, American Academy of Arts and Letters, New York City (2026)
  • United Kingdom London, Portrait OAYG-, Carlos/Ishikawa, London (2025)
  • Through my fault, Carlos/Ishikawa, London (2023)
  • Reunion (with Klein), Galerie Buchholz, Berlin (two-person exhibition) (2021)
  • 75 Cornwall Court, Carlos/Ishikawa, London (2021)
  • Pingey, Gandt, New York City (2020)

Select Group Exhibitions

  • Housekeeping in a Dangerous Time, Sapieha Palace, Vilnius (2026)
  • Theme Song, Authorized Dealer Gallery, Los Angeles (2026)
  • Fake Barn Country, Raven Row, London (2025)
  • Rushes, Fluentum, Berlin (2025)
  • The Apartment, Galerina, London (2024)
  • Burning Down The House: Rethinking Family, Kunstmuseum St Gallen (2024)
  • Thing Theory, 243 Luz, Margate (2023)
  • Autofiction, Galerie Fons Welters, Amsterdam (2022)
  • Girls Girls Girls, Lismore Castle Arts, County Waterford (2022)
  • Gallery 31: Create, Capture, Organise, Pluralise, Somerset House, London (2021)
  • Having a Party (Hope You Will Be There), Conceptual Fine Arts, Milan hosting Damian and the Love Guru, Brussels (2021)
  • Unfinished Live, The Shed, New York City (2021)
  • Same / Idea / Transposed, Champ Lacombe, Biarritz (2021)

Further Reading

Josiane M.H. Pozi FAQs

Has Josiane M.H. Pozi written plays?

Yes, Josiane M.H. Pozi has written plays that bring to the fore the mundaneness of language, including 2023’s MC about a house party, and a 2025 piece from Flash Art that inserts a review of United Kingdom London. Portrait OAYG into dialogue between Josiane and her sister Emily.

What are the main themes in Josiane M.H. Pozi’s video works?

Josiane M.H. Pozi’s videos spotlight quotidian scenes, featuring her relationship with her father, life with her sister Emily or interactions with friends. In a world where millions consciously or subconsciously perform for social media, Pozi offers a perspective that spans both the truthfulness of daily life and the sometimes gimmicky nature of content creation.

How does Josiane M.H. Pozi use sculptural installation?

A strong example of Pozi’s use of sculptural installation is in her 2025 exhibition Through my fault, in which viewers accessed a multi-screen video installation via steps and were guided through the space by benches, carpeting and wall-hung works. The central video featured sings as well as dialogue.

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Representative Artworks

Josiane M.H. Pozi, me from above (2025). Soft pastel and oil paint on paper. 32.3 x 44.6 x 3.4 cm (framed). © Josiane M.H. Pozi. Courtesy the artist and Carlos/Ishikawa, London. Photo: Damian Griffiths.
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Exhibition view: Josiane M.H. Pozi, UNITED KINGDOM LONDON. PORTRAIT O.A.Y.G., Carlos/Ishikawa, London (25 September–22 November 2025). © Josiane M.H. Pozi. Courtesy the artist and Carlos/Ishikawa, London. Photo: Damian Griffiths.
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Josiane M.H. Pozi, 5 (2025) (still). Video. 19 min, 59 sec. © Josiane M.H. Pozi. Courtesy the artist and Carlos/Ishikawa, London.
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Josiane M.H. Pozi, In my room (2025). Soft pastel and oil paint on paper. 61.5 x 81.5 x 3.5 cm (framed). © Josiane M.H. Pozi. Courtesy the artist and Carlos/Ishikawa, London. Photo: Damian Griffiths.
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Exhibition view: Josiane M.H. Pozi, UNITED KINGDOM LONDON. PORTRAIT O.A.Y.G., Carlos/Ishikawa, London (25 September–22 November 2025). © Josiane M.H. Pozi. Courtesy the artist and Carlos/Ishikawa, London. Photo: Damian Griffiths.
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