Senzeni Marasela traces her practice within the context of South Africa's generation of post-apartheid female artists.
Michael Armitage and Kudzanai-Violet Hwami discuss how painting allows them to navigate their contexts.
Many galleries struggled with their doors closed, and not just financially. But they also adapted new ways of showing and selling art.
Mohammad Salemy reports on art historical and political redress within The Museum of ModernArt's permanent collection after the museum's recent expansion.