British artist Piers Bourke deftly straddles the realms of sculpture and two-dimensional art in his innovative and striking wall pieces. The artist creates experiments in linear form by taking photographed environments and showing them from various vantage points, creating the illusion of depth and three-dimensionality. Bourke extracts landscapes, objects and everyday environments and elevates them from their ordinary status, creating new spaces which lack true logic but retain a sense of normalcy.
Hundreds of years ago artists struggled to pioneer true visual perspective. Bourke reminds us that with the advent of modern technologies the struggle is no longer necessary, but that does not mean an enquiry into linear perspective and scale is any less relevant, it is in fact probably more so. In a world pulsating with sophisticated images, where blockbuster films are casually presented in fashionable 3D, Bourke brings the core theme of how we begin represent environments back into focus. The artist's work provides room to pause and reflect upon the real and the illusory.
Created using digital prints on wooden panels, there is a paradox between traditional and contemporary materials. Likewise there is also a duality between representation and abstraction - from oblique angles the works are almost entirely abstract, the subject matter only reveals itself from the frontal vantage point. For his first exhibit in Asia the artist has produced Hong Kong specific works, providing a new perspective to a familiar cityscape.

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