Cartoonist Robert (‘R’) Crumb has an erotic fixation on powerful women, often displayed in the throes of exercise. ‘I was born weird’, he told The Guardian in April 2016. However, his drawing oeuvre extends far beyond renderings of strong women in the midst of a tennis match. His satirical work is legendary for its political wit, irony, incisive view of social conventions, raunchy style, disillusionment regarding consumer culture and use of racial and gender stereotypes.
Crumb’s interest in cartoons arose when he was a child and would produce handmade comics with his brother, Charles. In 1962, he left home for Cleveland, Ohio, and started working as a greeting card artist. He then spent some time in Europe. After returning to the US, Crumb jumped around states before settling in California, where he produced comics for the magazine Yarrowstalks. There his work was cherished by audiences, and as a result he produced the standalone comic book Zap. From this, Crumb’s status as a collectable and greatly admired comic book artist was born.
Through Zap, Crumb produced many now-notorious characters and storylines. Zap grew to a point where other leading comic book artists also began to contribute. Eventually, Crumb became a leading figure in the ‘underground movement’ of comics alongside publications such as the New York newspaper East Village Other. He also developed books such as Fritz the Cat, which was later fashioned into a movie.
In the early 1990s, Crumb moved with his family, including his wife Aline, to France, where he continues to live today. Aline Kominsky-Crumb is a prolific comic book artist herself and is known to often collaborate with her husband.
What truly captures Crumb’s work and makes it resonate with so many is its perspective. Its viewpoint comes from that of an outsider and someone contemptuous of mainstream socio-politics. Though Crumb has been working in this mindset for decades, he remains extremely relevant to contemporary society. With his striking, detailed, fun and inviting black-and-white drawings, Crumb is unsurprisingly often described as one of America’s greatest cartoonists.
For an exhibition consisting primarily of black-and-white line drawings, Aline Kominsky-Crumb & R. Crumb: Drawn Together is surprisingly colorful. Including more than 30 framed works, in addition to over a dozen comics displayed in rows along the walls of David Zwirner gallery, the sheer volume of text and image can seem overwhelming. But the...
ALINE KOMINSKY-CRUMB & R. CRUMBThrough Feb. 18. David Zwirner, 525 West 19th Street, Manhattan; 212-727-2070, davidzwirner.com.Cartoon art drawn for reproduction doesn’t gain much from being hung on a wall. It’s fun to spot the occasional daub of correcting fluid or try to unravel the mysteries of R. Crumb’s preternatural draftsmanship, but...
Last year, even the birds showed up.Under the silent gaze of a few unticketed pigeons in the rafters of CenturyLink Field Event Center, 15,000 people swarmed the inaugural Seattle Art Fair, a network of 60 booths of paintings, sculptures, photographs, videos, and at least one virtual reality trip.