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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Zoe Butt on the Challenges and Rewards of Curating Ocula Conversation Zoe Butt on the Challenges and Rewards of Curating

Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...

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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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R. Crumb

b. 1943, USA

Cartoonist Robert (‘R’) Crumb has an erotic fixation on powerful women, often displayed in the throes of exercise. ‘I was born weird’, he told The Guardian in April 2016. However, his drawing oeuvre extends far beyond renderings of strong women in the midst of a tennis match. His satirical work is legendary for its political wit, irony, incisive view of social conventions, raunchy style, disillusionment regarding consumer culture and use of racial and gender stereotypes.

Crumb’s interest in cartoons arose when he was a child and would produce handmade comics with his brother, Charles. In 1962, he left home for Cleveland, Ohio, and started working as a greeting card artist. He then spent some time in Europe. After returning to the US, Crumb jumped around states before settling in California, where he produced comics for the magazine Yarrowstalks. There his work was cherished by audiences, and as a result he produced the standalone comic book Zap. From this, Crumb’s status as a collectable and greatly admired comic book artist was born. 

Through Zap, Crumb produced many now-notorious characters and storylines. Zap grew to a point where other leading comic book artists also began to contribute. Eventually, Crumb became a leading figure in the ‘underground movement’ of comics alongside publications such as the New York newspaper East Village Other. He also developed books such as Fritz the Cat, which was later fashioned into a movie. 

In the early 1990s, Crumb moved with his family, including his wife Aline, to France, where he continues to live today. Aline Kominsky-Crumb is a prolific comic book artist herself and is known to often collaborate with her husband. 

What truly captures Crumb’s work and makes it resonate with so many is its perspective. Its viewpoint comes from that of an outsider and someone contemptuous of mainstream socio-politics. Though Crumb has been working in this mindset for decades, he remains extremely relevant to contemporary society. With his striking, detailed, fun and inviting black-and-white drawings, Crumb is unsurprisingly often described as one of America’s greatest cartoonists. 

Jessica Douglas | Ocula | 2017
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Featured Artworks

Shape Up! by R. Crumb contemporary artwork
R. CrumbShape Up!, 1982 Ink, graphite, and correction fluid on paper
7.88 x 6.75 inches
David Zwirner
Untitled by R. Crumb contemporary artwork
R. CrumbUntitled, 2015 Ink and correction fluid on paper
12.88 x 9.75 inches
David Zwirner
Self-Loathing Comics #1: A Day in the Life by R. Crumb contemporary artwork
R. CrumbSelf-Loathing Comics #1: A Day in the Life, 1994 Ink and correction fluid on paper, 15 pages
David Zwirner
Sauve by R. Crumb contemporary artwork
R. CrumbSauve, 1996 Serigraph
33 x 45.7 cm
David Zwirner

Recent Exhibitions

Contemporary art exhibition, R. Crumb, Drawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction & Pulp Fact at David Zwirner, New York
Closed
21 February–13 April 2019 R. Crumb Drawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction & Pulp Fact David Zwirner, 19th Street, New York
Contemporary art exhibition, R. Crumb, Art and Beauty at David Zwirner, London
Closed
15 April–2 June 2016 R. Crumb Art and Beauty David Zwirner, London

Represented By

In Related Press

The Loving, Self-Deprecating Comics of Aline Kominsky-Crumb and Robert Crumb Related Press The Loving, Self-Deprecating Comics of Aline Kominsky-Crumb and Robert Crumb Hyperallergic : 10 February 2017

For an exhibition consisting primarily of black-and-white line drawings, Aline Kominsky-Crumb & R. Crumb: Drawn Together is surprisingly colorful. Including more than 30 framed works, in addition to over a dozen comics displayed in rows along the walls of David Zwirner gallery, the sheer volume of text and image can seem overwhelming. But the...

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What to See in New York Galleries This Week Related Press What to See in New York Galleries This Week The New York Times : 31 January 2017

ALINE KOMINSKY-CRUMB & R. CRUMBThrough Feb. 18. David Zwirner, 525 West 19th Street, Manhattan; 212-727-2070, davidzwirner.com.Cartoon art drawn for reproduction doesn’t gain much from being hung on a wall. It’s fun to spot the occasional daub of correcting fluid or try to unravel the mysteries of R. Crumb’s preternatural draftsmanship, but...

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The biggest art event Seattle has ever known just got bigger Related Press The biggest art event Seattle has ever known just got bigger The Stranger : 5 August 2016

Last year, even the birds showed up.Under the silent gaze of a few unticketed pigeons in the rafters of CenturyLink Field Event Center, 15,000 people swarmed the inaugural Seattle Art Fair, a network of 60 booths of paintings, sculptures, photographs, videos, and at least one virtual reality trip.

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