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Hito Steyerl: How To Build a Sustainable Art World Ocula Conversation Hito Steyerl: How To Build a Sustainable Art World

'A Picture of War is Not War', we read in Hito Steyerl's iconic film November (2004), an essayistic Super 8 film tackling the definition of terrorism constructed around the figure of the artist's best friend Andrea Wolf, who was killed as a terrorist in 1998 in Eastern Anatolia after she joined the PKK (Kurdistan Workers' Party). Mixing documentary...

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Aichi to Okayama: Art in Japan Looks to the Future Ocula Report Aichi to Okayama: Art in Japan Looks to the Future 11 Oct 2019 : Stephanie Bailey for Ocula

There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
Sponsored Content | Mazzoleni Gallery
Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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R. Crumb

b. 1943, USA

Cartoonist Robert (‘R’) Crumb has an erotic fixation on powerful women, often displayed in the throes of exercise. ‘I was born weird’, he told The Guardian in April 2016. However, his drawing oeuvre extends far beyond renderings of strong women in the midst of a tennis match. His satirical work is legendary for its political wit, irony, incisive view of social conventions, raunchy style, disillusionment regarding consumer culture and use of racial and gender stereotypes.

Crumb’s interest in cartoons arose when he was a child and would produce handmade comics with his brother, Charles. In 1962, he left home for Cleveland, Ohio, and started working as a greeting card artist. He then spent some time in Europe. After returning to the US, Crumb jumped around states before settling in California, where he produced comics for the magazine Yarrowstalks. There his work was cherished by audiences, and as a result he produced the standalone comic book Zap. From this, Crumb’s status as a collectable and greatly admired comic book artist was born. 

Through Zap, Crumb produced many now-notorious characters and storylines. Zap grew to a point where other leading comic book artists also began to contribute. Eventually, Crumb became a leading figure in the ‘underground movement’ of comics alongside publications such as the New York newspaper East Village Other. He also developed books such as Fritz the Cat, which was later fashioned into a movie. 

In the early 1990s, Crumb moved with his family, including his wife Aline, to France, where he continues to live today. Aline Kominsky-Crumb is a prolific comic book artist herself and is known to often collaborate with her husband. 

What truly captures Crumb’s work and makes it resonate with so many is its perspective. Its viewpoint comes from that of an outsider and someone contemptuous of mainstream socio-politics. Though Crumb has been working in this mindset for decades, he remains extremely relevant to contemporary society. With his striking, detailed, fun and inviting black-and-white drawings, Crumb is unsurprisingly often described as one of America’s greatest cartoonists. 

Biography by Jessica Douglas | Ocula | 2017
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Featured Artworks

Shape Up! by R. Crumb contemporary artwork
R. CrumbShape Up!, 1982 Ink, graphite, and correction fluid on paper
7.88 x 6.75 inches
David Zwirner
Untitled by R. Crumb contemporary artwork
R. CrumbUntitled, 2015 Ink and correction fluid on paper
12.88 x 9.75 inches
David Zwirner
Self-Loathing Comics #1: A Day in the Life by R. Crumb contemporary artwork
R. CrumbSelf-Loathing Comics #1: A Day in the Life, 1994 Ink and correction fluid on paper, 15 pages
David Zwirner
Sauve by R. Crumb contemporary artwork
R. CrumbSauve, 1996 Serigraph
33 x 45.7 cm
David Zwirner

Recent Exhibitions

Contemporary art exhibition, R. Crumb, Drawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction & Pulp Fact at David Zwirner, New York
Closed
21 February–13 April 2019 R. Crumb Drawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction & Pulp Fact David Zwirner, 19th Street, New York
Contemporary art exhibition, R. Crumb, Art and Beauty at David Zwirner, London
Closed
15 April–2 June 2016 R. Crumb Art and Beauty David Zwirner, London

Represented By

In Related Press

The Loving, Self-Deprecating Comics of Aline Kominsky-Crumb and Robert Crumb Related Press The Loving, Self-Deprecating Comics of Aline Kominsky-Crumb and Robert Crumb Hyperallergic : 10 February 2017

For an exhibition consisting primarily of black-and-white line drawings, Aline Kominsky-Crumb & R. Crumb: Drawn Together is surprisingly colorful. Including more than 30 framed works, in addition to over a dozen comics displayed in rows along the walls of David Zwirner gallery, the sheer volume of text and image can seem overwhelming. But the...

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What to See in New York Galleries This Week Related Press What to See in New York Galleries This Week The New York Times : 31 January 2017

ALINE KOMINSKY-CRUMB & R. CRUMBThrough Feb. 18. David Zwirner, 525 West 19th Street, Manhattan; 212-727-2070, davidzwirner.com.Cartoon art drawn for reproduction doesn’t gain much from being hung on a wall. It’s fun to spot the occasional daub of correcting fluid or try to unravel the mysteries of R. Crumb’s preternatural draftsmanship, but...

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The biggest art event Seattle has ever known just got bigger Related Press The biggest art event Seattle has ever known just got bigger The Stranger : 5 August 2016

Last year, even the birds showed up.Under the silent gaze of a few unticketed pigeons in the rafters of CenturyLink Field Event Center, 15,000 people swarmed the inaugural Seattle Art Fair, a network of 60 booths of paintings, sculptures, photographs, videos, and at least one virtual reality trip.

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