Using materials such as chalk, charcoal, paint, and even soap, Robin Rhode captures complex social conditions in urban murals that he documents through photography and stop-motion animation.
Growing up in post-apartheid South Africa, Robin Rhode was inspired by the youth culture of hip-hop and sports, as well as the narrative quality of mural paintings around him. He began making performative drawings on walls in public spaces in 1997, when he was a student at Technikon Witwatersrand in Johannesburg. In 1998, Rhode began using photography to document his murals; their serial quality reminiscent of early motion photography by pioneers such as Eadweard Muybridge.
Rhode’s narrative murals frequently comment on widespread stereotypes about the young black male through images such as a thief trying to break into a car in Car Theft (1998) or a talented athlete in Street Gym—originally created as a performance in 2000 before being mounted as a digital animation in 2004. By contrast, works such as the stop-motion animation Empty Pockets (2008) depicts a humorous narrative in which people play billiards on a drawing of a pool table, while flowers magically climb up buildings in the city of Jericho in Tree of Life (2019).
In 2015, Robin Rhode combined his propensity for storytelling and performance in Erwartung, which was commissioned for the Performa 15 biennial. The work is a reinterpretation of the eponymous one-act monodrama by the Austrian composer Arnold Schönberg, which tells the story of a woman who looks for her lover in the dark forest. In his interview with Ocula Magazine in 2015, Rhode said that he ‘began to see parallels between the protagonist in Erwartung and the South African women who have also lamented the loss of their men to migration for work, or to political exile, or taken by police into questioning during the struggle of apartheid.’ The powerful performance was staged in collaboration with the conductor Arturo Tamayo and soprano singer Carol Sidney Louis.
Selected exhibitions include Robin Rhode & Nari Ward: Power Wall at Lehmann Maupin Hong Kong (2020); Under the Sun, Tel Aviv Museum of Art (2017); The Moon is Asleep, SCAD Museum of Art, Georgia (2016); and The Call of Walls, National Gallery of Victoria, Melbourne (2013). Robin Rhode: Memory is the Weapon, a survey exhibition of Robin Rhode’s work to date, was held at Kunstmuseum Wolfsburg, Germany (2019), and Kunsthalle Krems, Austria (2020).
Robin Rhode is based in Berlin.
Biography by Sherry Paik | Ocula | 2020


A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services