TATIANA TROUVÉ

Sculptural works often unfold in suspended or transitional environments. Cast objects—chairs, bags, ropes, architectural fragments—inhabit spaces that feel paused or emptied, evoking liminality and unease. Materials such as bronze, copper, marble, and glass are treated with precision and restraint, contributing to atmospheres of quiet disorientation. Drawing is not a preparatory gesture but a central strand of her practice. Her large-scale graphite works blend architectural and landscape elements with references from her own studio, forming complex mnemonic terrains. These drawings explore memory not by showing things exactly as they were, but through distortion, omission, and repetition. They invite viewers into non-linear stories shaped by both remembering and imagining. Rather than depicting events, Trouvé reimagines how we experience time and space, making visible the invisible architectures of memory and thought.

Tatiana Trouvé (b. 1968, Cosenza, Italy) was raised in Dakar, Senegal and now lives and works in Paris, France. She studied at Villa Arson in Nice, France and later at Ateliers ‘63 (now De Ateliers) in the Netherlands. She currently teaches at the École Nationale Supérieure des Beaux-Arts in Paris. The artist’s first solo exhibition took place at the Centre national d’art contemporain at Villa Arson in 1997, and her first retrospective, The Longest Echo, was held at MAMCO, Geneva in 2014. In 2022, she was the subject of a major monographic exhibition, Le grand atlas de la désorientation, at the Centre Pompidou, Paris. Trouvé is the recipient of numerous awards, including the Pernod Ricard Foundation Prize (2002), the Marcel Duchamp Prize (2007), the ACACIA Prize (Italy, 2014), and the Rosa Schapire Art Prize (Germany, 2019). In 2020, she was named Officier de l’Ordre des Arts et des Lettres by the French Ministry of Culture and Communication.

Courtesy Xavier Hufkens