Ocula Report Visions of Brazil: Reimagining Modernity from Tarsila to Sonia 18 May 2019 : Fawz Kabra for Ocula Bridging almost a century of Brazilian art, Visions of Brazil: Reimagining Modernity from Tarsila to Sonia at Blum & Poe in New York (30 April–22 June 2019), hosted in collaboration with Mendes Wood DM, offers a rereading of Brazilian Modernism through the works of artists practising at different times, from the 20th century through to the...
Ocula Conversation Reiko Tomii In 1969, Horikawa Michio, schoolteacher and member of the artist collective GUN (Group Ultra Niigata), filled out the customs paperwork to mail a one-kilogram river stone from Niigata, the proverbial 'backside of Japan', to President Nixon. In return, Horikawa received a thank you note for this 'most unusual Christmas gift'—a muted anti-war...
Ocula Report Yun Hyong-keun in Venice: The Artist Behind the Paintings 4 May 2019 : Sherry Paik for Ocula 'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun. For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of abstract...
Examining the geometry of pattern, repetition and colour within her surroundings, Tess Jaray has explored painterly perspective for more than five decades. Jaray focuses on producing the illusion of space, using perspective to create a field of spatial paradox that equates to distance and closeness in the mind. In many of her works the area of pattern is contained by a strong, grounding background colour, thereby controlling the movement of the forms.
Tess Jaray (b.1937) was born in Vienna, Austria and to moved to UK in 1938. She currently lives and works in London. The artist studied at Slade School of Fine Art, University College London (1954-57) and later at Slade School of Fine Art, University College London (1957-60).
Tess JarayWindow for Katharina (Dark with Pink), 2013 Cut panel (two panels)
Tess JarayPer Tutte le Madri Purple and Pink, 2008 Acrylic and paper on panel
Tess JarayAfter Damascus Three Pillars Green & Red, 2009 Acrylic on panel
Related Press Charley Peters: ‘Painting, Writing, Abstraction and the Spaces In-between: In Conversation with Tess Jaray’ Instantloveland : 26 April 2019 Using the Art Deco building of the Barber Institute, designed by Robert Atkinson and built between 1932—1939 as a Foundation for the works, the paintings extend Jaray’s ongoing contemplation of architectural form and continue her rigorous evaluation of the emotive conditions of spatial composition through carefully considered, desaturated...
Related Press Shapes Are Held In Tension: A Conversation With Tess Jaray Forbes : 13 June 2017 There’s a physical quality to Tess Jaray’s paintings that comes through even in digital reproductions. Scrolling through an email containing images from Into Light, an exhibition of her work open at Marlborough Fine Art in London through June 17, feels a bit like walking into a shaft of sunlight in an ancient alley.
![Predella [Dark] by Tess Jaray contemporary artwork](http://d3rtf5gv0re40d.cloudfront.net/anzax/46/465465c2-7d1a-4901-b5a8-d1c03839a21f_300_300.jpg)
![Predella [Light] by Tess Jaray contemporary artwork](http://d3rtf5gv0re40d.cloudfront.net/anzax/96/9663994c-3145-4aab-84cc-5e9ca0bf99c8_300_301.jpg)
