Tomás Saraceno’s practice is informed by concepts linking art, life science, and the social sciences. Enmeshed in the junction of these worlds, his floating sculptures, community projects, and immersive installations propose sensory solidarity with the planet through a social, mental, and environmental ecology of practice.
For more than a decade, he has been imagining a world free from carbon, extractivism, capitalism, patriarchy and fossil fuel - or what he calls CECPF- that inflames some forms of life. In an unorthodox collaboration with cosmic webs, the air, spider/webs and indigenous communities, energies converge in a new practice of solidarity.
In our era of climate emergency—when ecosystems are at risk—Saraceno’s work, deepening our understanding of environmental justice and interspecies cohabitation, carried out through the artist’s initiated projects Aerocene and Arachnophilia.

A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services