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The work is one of 17 pieces of Asian art donated by lawyer and art collector Hallam Chow.

Makoto Aida’s ‘Space Shit’ and More Donated to Hong Kong’s M+

Aida Makoto, Space shit (1998). Cotton, gesso and oil on panel. 230 x 330 cm. Courtesy M+, Hong Kong. Gift of Hallam Chow, 2019. Photo: Nagatsuka Hideto © AIDA Makoto. Courtesy of Mizuma Art Gallery.

Art collector Hallam Chow has donated 17 works to Hong Kong's M+, the museum announced this week. The works were all created by Asian artists from the 1990s to the 2010s, a focus of Chow's collecting.

One of the standout pieces is Space Shit (1998), a 2.3 metre x 3.3 metre oil and gesso on panel painting by Japanese artist Makoto Aida that depicts a lengthy piece of excrement floating through outer space.

'I have a habit of placing human beings in a thought experiment that represents an extreme situation,' Aida told Ocula Magazine in 2015. This habit is evidenced in other works such as Harakiri School Girls (2002), which uses a manga-esque style to depict high school students engaged in suicide by disembowelment.

Chim↑Pom Libido-Electricity Conversion Machine ‘EROKITEL’ Third and Practical Model 'KIBOU’ 2011 Mixed media and sports-paper advertising 62 x 35 x 28 cm M+, Hong Kong. Gift of Hallam Chow, 2020 Photo: Kei Miyajima © Chim↑Pom Courtesy of the artists, MUJIN-TO Production and YAMAMOTO GENDAI

Chim↑Pom, Libido-Electricity Conversion Machine 'EROKITEL' Third and Practical Model 'KIBOU' (2011). Mixed media and sports-paper advertising, 62 x 35 x 28 cm. M+, Hong Kong. Gift of Hallam Chow, 2020. © Chim↑Pom. Courtesy of the artist, ANOMALY and MUJIN-TO Production.

Another risqué piece in the donation is Libido-Electricity Conversion Machine 'EROKITEL' Third and Practical Model 'KIBOU' (2011) by the Japanese collective Chim↑Pom. The machine, designed to convert male sexual energy into electricity, was created to critique Japan's reliance on nuclear energy following the Fukushima Daiichi disaster.

'With its solid footing in Asia and its global perspective, M+ is in the strongest position to research, exhibit, and promote Asian artists in ways that transcend national and geographical boundaries,' said Chow, who is a partner at law firm Mayer Brown LLP and chairman of the M+ International Council for Visual Art.

The other works in Chow's donation were created by Japanese artists Konoike Tomoko, Odani Motohiko, Shioyasu Tomoko, Takamine Tadasu, Teruya Yuken, and Yanobe Kenji, Thai artist Montien Boonma, South Korean artist Lee Bul, Chinese artists Liang Yuanwei and Liu Wei, and American artist Adrian Wong.

'Hallam's unique vision, impressive knowledge, and insights into Asian art, and the ongoing dialogues he has with the artists he collects, add an invaluable layer of meaning to this group of works,' said Pauline J. Yao, the lead curator at M+.

Prior to this announcement, Chow had donated 25 works to M+. Donations have been instrumental to building M+'s collection with Uli Sigg gifting 1,463 works by Chinese contemporary artists valued at HK $1.3 billion (US $163 million) in 2012. —[O]

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