Patrick Flores, artistic director of the 2019 Singapore Biennale, discusses the 'energies of province' that have calibrated his art historical outlook.
Soda_Jerk are a [New York]-based art duo made up of Australian siblings Dan and Dominique Angeloro. They are known for their mash-up video works, which sit between speculative fiction and document
[SUPERPOSITION: Equilibrium & Engagement] marks the twenty-first edition of the Biennale of Sydney (16 March–11 June 2018). Curated by [Mami Kataoka], it brings together over 70 artists and a
Sydney Art Week saw the city's art ecology coming together in celebration all things creative in one of Australia's largest art hubs. The week was headlined by the 2017 iteration of [Sydney Contempora
This week is the biggest time in the year for Sydney's art scene, with the third edition of Sydney Contemporary returning to Carriageworks with 90 local and international galleries from across the Pacific Rim
The 11th Shanghai Biennale (SHB11): Why Not Ask Again: Arguments, Counter-arguments, and Stories was an exhibition staged at the Power Station of Art, Shanghai from 12 November 2016 to 12 March 2017
The Honolulu Biennial Foundation was formed in 2014 by Dr Kóan Jeff Baysa, Katherine Anne Leilani Tuider and Isabella Ellaheh Hughes. It was founded on the ambition to place Hawai'i and the Pacific on
I feel that many practices that I was already engaged with for some years continue to shape Contour Biennale 8. Then there are those that I've recently encountered and have been excited to develop a conversation with.
Kochi, also known as Cochin, has a complex history due to its position as an important trading port for spices in India, with historical documentation suggesting trade between Arab, Asian and European
I don't know how I feel about a ‘signature’ material, because as an artist, I'm always looking and exploring different materials.
Having grown up in both Australia and Asia the need for greater connections and understandings between Australia and the region has an acute urgency for me.
The works are about aspiration and the failure to breach the gap of who we are and who we hope to be, something most people can empathise with regardless of their background.
Disagreements can be at the heart of development. Yet, despite the oversaturation of critical platforms for debate in contemporary art, instigating a disagreement appears to be a sort of pedagog
Stephanie Rosenthal, Artistic Director of the 20th Biennale of Sydney is interested in thinking about
I have finally learned to listen to the tone of the images, rather than edit by content.
Archie Moore’s practice draws attention to the cultural and social assumptions on which contemporary Australian society is built. For the 20th Biennale of Sydney, Moore compares multiple
Since the late 1980s the major concern for curatorial practice has been the rise of biennale culture; the impact this exhibition format has had upon both the production and reception of contempo
Desire Machine Collective was established in India in 2004 by Mriganka Madhukaillya and Sonal Jain. They create films, video, photography, and sound and multimedia installations that consider s
On the 120th anniversary of its inaugural exhibition in 1895, Nigerian-born curator, Okwui Enwezor, has this year directed the 56th iteration of the Venice Biennale. Titled All The Worl
13 Rooms marks the 27th program Australia's Kaldor Public Art Projects has produced. It's fitting for Kaldor and international curators Hans Ulrich Obrist and Klaus Biensenbach to collaborate, as each figure is identified by their longstanding attention to large-scale projects, working with international artists.
The 7th Asia Pacific Triennial at the Queensland Art Gallery and Gallery of Modern Art marks the 20th anniversary of the flagship exhibition series committed to an investigation of Asian, Pacific and Australian contemporary practices.