Avis Newman Brings Drawing to Canvas

Avis Newman Brings Drawing to Canvas
Avis Newman Brings Drawing to Canvas

Avis Newman, The Weight of Souls I (2017–2018). Acrylic paint and chalk on cotton duck canvas and canvas board. Courtesy Maureen Paley, London / Hove

Avis Newman Brings Drawing to Canvas

Avis Newman, The Weight of Souls I (2017–2018). Acrylic paint and chalk on cotton duck canvas and canvas board. Courtesy Maureen Paley, London / Hove

Avis Newman Brings Drawing to Canvas

Avis Newman, The Weight of Souls I (2017–2018). Acrylic paint and chalk on cotton duck canvas and canvas board. Courtesy Maureen Paley, London / Hove

Avis Newman Brings Drawing to Canvas

Avis Newman, The Weight of Souls I (2017–2018). Acrylic paint and chalk on cotton duck canvas and canvas board. Courtesy Maureen Paley, London / Hove

By Rory Mitchell – 23 June 2021

When standing in front of one of Avis Newman’s works, it is important to bear in mind the meaning of drawing to the artist, as an act of gesturing; an implosion of thought and an articulation of a moment in time. ⁠⁠

‘I understand drawing to evidence the materialisation of an act of consciousness – where the gestured act embodies the act of thought’ — Avis Newman. ⁠⁠

This large-scale canvas work is currently showing at Maureen Paley‘s project space, Studio M, in their East London gallery. ⁠⁠

Main image: Avis Newman, The Weight of Souls I (2017–2018). Acrylic paint and chalk on cotton duck canvas and canvas board. Courtesy Maureen Paley, London / Hove

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